The Greatness of Puruṣottama
Aṣṭākṣarī Maṇḍala-Pūjā and Nyāsa
ज्वलंतं त्रिशिखं चैव दहंतं पापसंचयम् । चंद्रमंडलमध्यस्थमेकारं मूर्ध्नि चिंतयेत् ॥ ५ ॥
jvalaṃtaṃ triśikhaṃ caiva dahaṃtaṃ pāpasaṃcayam | caṃdramaṃḍalamadhyasthamekāraṃ mūrdhni ciṃtayet || 5 ||
Dapat pagnilayan ang pantig na “E” (ekāra) na nananahan sa gitna ng bilog ng buwan—nagniningas, may tatlong liyab, at sinusunog ang naipong bunton ng kasalanan—at ituon ang pagninilay na ito sa tuktok ng ulo.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: vira
It prescribes a focused pranava-based meditation: visualizing ekāra as a fiery, three-flamed power within the lunar sphere, capable of burning accumulated sin and elevating consciousness to the crown (mūrdhan), a classic marker of upward spiritual ascent.
Though framed as dhyāna, it supports bhakti-sādhana by purifying pāpa-saṃcaya and stabilizing the mind in a sacred mantra-form; such inner purity and one-pointedness are presented in the Purāṇic tradition as prerequisites for steady devotion to the Supreme (often identified with Vishnu through pranava practice).
Mantra-prayoga and phonetic precision (Śikṣā) are implicit: the verse specifies a particular varṇa/syllable (ekāra) and a visualization method (dhyāna-krama), reflecting technical mantra practice rather than a narrative-only teaching.