Kāruṇya-stotra Phalaśruti; Dream-Darśana of Vāsudeva; Manifestation and Pratiṣṭhā of Jagannātha, Balabhadra (Ananta), and Subhadrā
कृष्णरूपं परं शांतं पद्मपत्रायतेक्षणम् । श्रीवत्सकौस्तुभधरं शंखचक्रगदाधरम् ॥ ५६ ॥
kṛṣṇarūpaṃ paraṃ śāṃtaṃ padmapatrāyatekṣaṇam | śrīvatsakaustubhadharaṃ śaṃkhacakragadādharam || 56 ||
Ninilay-nilay ko ang Kataas-taasang Panginoon sa Kanyang anyong Kṛṣṇa—lubos na payapa, may mga matang tulad ng talulot ng lotus—taglay ang tanda ng Śrīvatsa at ang hiyas na Kaustubha, at may hawak na kabibe, diskos, at pamalo.
Narada (within a dhyāna/stuti passage describing Viṣṇu/Kṛṣṇa for worship)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It provides a focused dhyāna-image of the Supreme Lord—serene, lotus-eyed, and marked by Śrīvatsa and Kaustubha—so the devotee can stabilize the mind in Viṣṇu/Kṛṣṇa contemplation and cultivate single-pointed bhakti.
Bhakti here is practiced through loving remembrance: the devotee meditates on the Lord’s compassionate form and divine emblems (conch, discus, mace), which function as anchors for nāma-smaraṇa, pūjā, and inner surrender.
No specific Vedāṅga (like Vyākaraṇa or Jyotiṣa) is taught directly; the practical takeaway is ritual-application knowledge—how to perform dhyāna in Viṣṇu-pūjā by visualizing canonical attributes (āyudha-lakṣaṇa) described in the Purāṇic tradition.