Samayakaraṇa
Determination of Proper Times / Formalizing the Condition
तेन गीतेन चाकृष्टस्त्वत्समीपमुपागतः । दृष्टेः पथमनुप्राप्ता मम त्वं चारुलोचने ॥ २४ ॥
tena gītena cākṛṣṭastvatsamīpamupāgataḥ | dṛṣṭeḥ pathamanuprāptā mama tvaṃ cārulocane || 24 ||
Dahil sa awit na iyon ay nahila ang aking puso at lumapit ako sa iyo; at ikaw, O may magagandang mata, ay napasok sa landas ng aking paningin.
Unspecified (narrative voice not explicit in the provided verse excerpt)
Vrata: none
Primary Rasa: shringara
Secondary Rasa: adbhuta
It highlights how sacred song (gīta) has the power to draw the heart inward, bringing the seeker near and culminating in darśana—coming within the range of true spiritual vision.
Bhakti here works through sound: devotional singing attracts and gathers the mind, leading to proximity (samīpa) and the experience of presence—seen as entering the “path of sight” (dṛṣṭeḥ patha).
Primarily Śikṣā (phonetics/recitation) and the applied discipline of sacred sound—how properly voiced devotional song supports concentration and devotional absorption.