Adhyaya 61 — The Second Manvantara Begins: The Brahmin’s Swift Journey and Varuthini’s Temptation on Himavat
तस्य बुद्धिरियं त्वासीदहं पश्ये वसुन्धराम् ।
अतिरम्यवनोद्यानां नानानगरशोभिताम् ॥
tasya buddhir iyaṃ tv āsīd ahaṃ paśye vasundharām |
atiramya-vano-dyānāṃ nānā-nagara-śobhitām ||
Sumibol sa kanya ang ganitong pag-iisip: “Nawa’y masilayan ko ang daigdig—na pinalamutian ng lubhang kaaya-ayang mga gubat at hardin, at pinaganda ng maraming lungsod.”
The verse portrays a refined desire—seeking to witness the world’s beauty. In Purāṇic storytelling, such intentions often become the seed for journeys that test dharma and reveal cosmic order.
Within 'Manvantara' narration as an initiating motive for an episode; it may later connect to 'Vaṃśānucarita' if the journey intersects with rulers/lineages.
The wish to 'see the earth' can be read as the soul’s urge to experience manifestation (prakṛti) in its fullness; forests/gardens/cities symbolize the layered expressions of nature, cultivation, and social order.