Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
तद्धने मम गेहे च ममत्वमनुकल्प्यताम् ।
युवयोऱ्यन्मदीयं तन्मामकं युवयोः स्वकम् ॥
taddhane mama gehe ca mamatvam anukalpyatām / yuvayor yanmadīyaṃ tanmāmakaṃ yuvayoḥ svakam
“Kaya nga, itakda nang nararapat ang pagmamay-ari sa kayamanang iyon at sa aking bahay. Ang anumang akin ay ituring na inyo; at ang anumang inyo ay ituring na tunay na inyo (na ligtas at tiyak).”
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A dhārmic settlement is proposed: property is not treated as a weapon of separation but as a vehicle of relationship. The verse models reconciliation by voluntary transfer/recognition rather than coercion.
Vamśānucarita with didactic emphasis (nīti/dharma) embedded in narrative.
The ‘mine/yours’ polarity is softened: the teaching hints that possessiveness is conventional (vyavahāra) and can be re-scripted by higher intention (saṅkalpa) to preserve unity.