Adhyaya 20 — Ritadhvaja’s Companionship with the Naga Princes and the Origin of the Horse Kuvalaya
कदाचिच्छास्त्रसम्भार-विवेककृतनिश्चयः ।
कदाचित् काव्यसंलाप-गीत-नाटकसम्भवैः ॥
kadācic chāstrasambhāra-vivekakṛtaniścayaḥ | kadācit kāvyasaṃlāpa-gīta-nāṭakasambhavaiḥ ||
Kung minsan, bumubuo siya ng matitibay na pasya sa pamamagitan ng masusing pag-aaral sa mga kalipunan ng mga kasulatan; kung minsan naman, siya’y naglilinang ng tula, marikit na pag-uusap, awit, at dula.
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
An ideal ruler balances śāstra-driven discernment with cultured arts; intellect without refinement becomes harsh, while entertainment without discernment becomes dissipation.
Carita (biographical narrative) illustrating royal formation; indirectly supports Dharma by presenting the model of educated kingship.
‘Śāstra + viveka’ indicates the sattvic axis of clarity, while arts indicate rasa and harmonization of emotions—suggesting governance requires both clarity and aesthetic sensitivity.