Adhyaya 12 — The Son Describes the Narakas: Mahāraurava, Tamas, Nikṛntana, Apratiṣṭha, Asipatravana, and Taptakumbha
योजनानां सहस्रं यो ज्वलदग्न्यास्तृतावनिः ।
तप्ताः सूर्यकरैश्चण्डैर्यत्रातीव सुदारुणैः ॥
yojanānāṃ sahasraṃ yo jvaladagnyāstṛtāvaniḥ | taptāḥ sūryakaraiś caṇḍair yatrātīva sudāruṇaiḥ ||
May isang pook na may lawak na isang libong yojana, na ang lupa ay nababalot ng naglalagablab na apoy; doon ang mga nilalang ay tinutupok ng mabagsik at lubhang malupit na sinag ng araw.
{ "primaryRasa": "bhayanaka", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Moral harm is portrayed as an environment one ‘falls into’ and cannot easily escape—emphasizing that habitual wrongdoing shapes one’s experiential world.
Not a direct pancalakṣaṇa unit (sarga/pratisarga/vaṃśa/manvantara/vaṃśānucarita), but a dharma-upadeśa passage that supports righteous conduct within the Purāṇic encyclopedic scope.
Fire and harsh solar rays can be read as the ‘heat’ of unprocessed karma and the burning of conscience—inner torment externalized as cosmic geography.