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Shloka 10

मैत्रेयागमनम् — The Arrival of Maitreya and the Admonition to Duryodhana

इस प्रकार श्रीमह्या भारत वनपवके अन्तर्गत अरण्यपर्वमें मैत्रेयशापविषयक दसवाँ अध्याय पूरा हुआ,तस्य नादेन संत्रस्ता: पक्षिण: सर्वतोदिशम्‌ | विमुक्तनादा: सम्पेतु: स्थलजा जलजै: सह उसकी गर्जनासे भयभीत हुए स्थलचर पक्षी जलचर पक्षियोंके साथ चीं-चीं करते हुए सब दिशाओंमें भाग चले

tasya nādena saṁtrastāḥ pakṣiṇaḥ sarvato diśam | vimuktanādāḥ sampetuḥ sthalajā jalajaiḥ saha ||

Sinabi ni Vaiśampāyana: Sa pagkabigla sa umuugong na dagundong na iyon, ang mga ibon sa lahat ng dako ay nagsiliparan. Sumisigaw sa sindak, nagkawatak-watak ang mga ibong-lupa kasama ang mga ibong-tubig, tumatakas sa lahat ng panig—larawang nagpapakita na kapag pinakawalan ng isang makapangyarihang pagyanig ang takot, maging ang magkakaibang nilalang ay nadadala sa iisang likas na pagnanasang maghanap ng kaligtasan.

तस्यof that (its)
तस्य:
Adhikarana
TypePronoun
Rootतद्
FormMasculine/Neuter, Genitive, Singular
नादेनby the sound/roar
नादेन:
Karana
TypeNoun
Rootनाद
FormMasculine, Instrumental, Singular
संत्रस्ताःterrified
संत्रस्ताः:
Karta
TypeAdjective
Rootसंत्रस्त
FormMasculine, Nominative, Plural
पक्षिणःbirds
पक्षिणः:
Karta
TypeNoun
Rootपक्षिन्
FormMasculine, Nominative, Plural
सर्वतःon all sides
सर्वतः:
Adhikarana
TypeIndeclinable
Rootसर्वतः
दिशम्direction
दिशम्:
Karma
TypeNoun
Rootदिश्
FormFeminine, Accusative, Singular
विमुक्त-नादाःuttering cries (having released sounds)
विमुक्त-नादाः:
Karta
TypeAdjective
Rootविमुक्तनाद
FormMasculine, Nominative, Plural
सम्पेतुःthey flew together / rushed
सम्पेतुः:
TypeVerb
Rootसम् + पत्
FormPerfect, Third, Plural
स्थल-जाःland-dwelling (birds)
स्थल-जाः:
Karta
TypeNoun
Rootस्थलज
FormMasculine, Nominative, Plural
जल-जैःwith water-dwelling (birds)
जल-जैः:
Karana
TypeNoun
Rootजलज
FormMasculine, Instrumental, Plural
सहtogether with
सह:
Karana
TypeIndeclinable
Rootसह

वैशम्पायन उवाच

V
Vaiśampāyana
P
pakṣiṇaḥ (birds)
S
sthalajāḥ (land-birds)
J
jalajāḥ (water-birds)
N
nāda (roar/sound)

Educational Q&A

The verse uses a natural scene to underline how a forceful disturbance spreads fear indiscriminately: even different kinds of beings (land- and water-birds) react together, suggesting that unchecked power or anger can unsettle the whole environment and drive communities into panic.

After a loud roar/sound occurs, birds across all directions become frightened and fly off, crying out; land-birds and water-birds scatter together. It functions as vivid scene-setting and a transition within the Maitreya-śāpa (Maitreya’s curse) context in this chapter.