नारायणीयमाख्यानम् (Nārāyaṇīyam Ākhyānam) — Nārada’s Return and Hymnic Consolidation
सक्ततामात्मनश्रैव प्रीतो5भूद् ब्रीडितश्न॒ ह
saktatām ātmanaś caiva prīto ’bhūd vrīḍitaś ca ha | kecid apsarābhir munīśreṣṭhaṁ vyāsaṁ dṛṣṭvā sva-vastrāṇi paridhāya | tadā putrasya muktatāṁ jñātvā munir mahān prahṛṣṭo ’bhavat, svātmanaḥ saṅgaṁ vicārya ca sa vrīḍita eva ||
Wika ni Bhīṣma: Ang pantas ay sabay na nalugod at napahiya. Ang ilang apsara, pagkakita sa pinakadakilang muni na si Vyāsa, ay nagsuot ng kanilang kasuotan. Sa sandaling malaman niyang napalaya na ang kaniyang anak, ang dakilang muni ay lubhang nagalak; ngunit nang pagnilayan ang sarili niyang pagkakapit, nakadama rin siya ng tunay na hiya.
भीष्म उवाच
Even a great person may experience mixed emotions: joy at a dharmic resolution (the son's release) and shame upon recognizing one's own lingering attachment. Ethical maturity includes honest self-reflection and the capacity to feel restraint (vrīḍā) when desire has overreached.
Apsarases, noticing Vyasa, quickly cover themselves by putting on their garments. Vyasa learns that his son has been freed and feels great happiness; simultaneously, he reflects on his own attachment and becomes embarrassed, indicating an inner moral reckoning.