Adhyāya 325: Nārada in Śvetadvīpa—Stotra to the Nirguṇa Mahātman
सुरम्यं दर्शयामासुरेकैेकश्येन भारत । तात! भरतनन्दन! जब वे भोजन कर चुके, तब वे वारांगनाएँ उन्हें साथ लेकर अन्तःपुरके उस सुरम्य कानन--प्रमदावनकी सैर कराने और वहाँकी एक-एक वस्तुको दिखाने लगीं
suramyaṃ darśayāmāsur ekaikaśyena bhārata | tāta bharatanandana | yadā te bhojanaṃ kṛtvā, tadā tā vāraṅganāḥ tān saha nītvā antaḥpurasya suramye kānane pramadāvane paryaṭanaṃ kārayituṃ tatra-tatraikaikaṃ vastu darśayituṃ ca pravṛttāḥ |
Wika ni Bhishma: O Bharata, mahal na anak, o ligaya ng angkan ng Bharata—pagkatapos nilang kumain, isinama sila ng mga kurtisanang iyon sa kaaya-ayang halamanan sa loob ng palasyo, ang tinatawag na Hardin ng Kaligayahan, at inilibot sila roon, ipinakikita ang bawat kagandahan at bagay na naroon, isa-isa.
भीष्म उवाच
The scene highlights how pleasure and sensory display can be deliberately arranged to attract and distract; in the Mahabharata’s ethical frame, such allure is often a test of restraint (dama) and steadiness in dharma.
After the men finish eating, courtesans escort them into the inner palace’s beautiful grove (Pramadāvana) and give them a guided tour, showing the garden’s attractions one by one.