शल्यपर्वणि प्रथमाध्यायः — Karṇa-vadha-anantaraṃ Śalya-niyogaḥ, Saṃjayasya Dhṛtarāṣṭra-nivedanam
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suhṛdaś ca tathā sarve dṛṣṭvā rājānam āturam | bharatabhūṣaṇa! punaḥ tāḥ sarvāḥ striyaḥ samasta-suhṛd-gaṇaś ca rājānam āturaṃ dṛṣṭvā tatraiva tyaktvā jagmuḥ ||
Nang makita ang hari na nasa dalamhati, ang lahat ng kanyang mga kaibigang tapat ay gayundin—O palamuti ng mga Bharata—ang mga babaeng iyon at ang buong lupon ng mga kaibigan, nang mapansin ang kanyang pagkabalisa, ay umurong at umalis sa pook na iyon.
वैशम्पायन उवाच
The verse highlights a dharmic social ethic: when a ruler is overwhelmed by distress, companions may withdraw respectfully, allowing him composure and privacy rather than pressing their presence—an aspect of restraint and propriety amid the moral weight of war.
After observing the king’s agitated condition, the women and the gathered well-wishers leave the place, indicating a tense, grief-laden moment in the war’s aftermath where the king’s inner turmoil becomes visible to the court.