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Shloka 563

कालान्तकवपु: शूर: सूतपुत्रो5भ्यराजत । इस प्रकार शत्रुओंको तपानेवाला कर्ण मध्याह्न-कालके सूर्यकी भाँति तप रहा था। उस समय उसकी ओर देखना कठिन हो गया था। शूरवीर सूतपुत्रका शरीर काल और अन्तकके समान सुशोभित हो रहा था

kālāntakavapuḥ śūraḥ sūtaputro 'bhyarājata |

Sinabi ni Sañjaya: Ang bayaning anak ng tagapaghatid-karwahe—si Karna—ay nagningning na wari’y mismong Panahon at Kamatayan. Sinusunog niya ang mga kaaway at naglalagablab na parang araw sa katanghalian, kaya’t mahirap siyang titigan. Sa sandaling iyon, ang kanyang katawan ay tila pinalamutian ng nakapanghihilakbot na kamahalan nina Kāla at Antaka.

कालान्तकवपुःhaving a body like Kāla and Antaka (Death)
कालान्तकवपुः:
Karta
TypeAdjective
Rootकालान्तक-वपुस्
FormMasculine, Nominative, Singular
शूरःthe hero
शूरः:
Karta
TypeNoun
Rootशूर
FormMasculine, Nominative, Singular
सूतपुत्रःthe charioteer’s son (Karna)
सूतपुत्रः:
Karta
TypeNoun
Rootसूत-पुत्र
FormMasculine, Nominative, Singular
अभ्यराजतshone forth, was resplendent
अभ्यराजत:
TypeVerb
Rootराज्
FormImperfect (Laṅ), 3rd, Singular, Parasmaipada

संजय उवाच

S
Sañjaya
K
Karna
K
Kāla
A
Antaka

Educational Q&A

The verse underscores the epic’s vision of war as a domain where human valor can resemble cosmic forces: a warrior’s prowess may appear like Kāla (Time) and Antaka (Death). It cautions that martial brilliance carries ethical weight—radiance and victory are inseparable from the shadow of destruction and the inevitability of death.

Sañjaya reports to Dhṛtarāṣṭra that Karna is blazing on the battlefield, scorching enemies and appearing so radiant that he is difficult to behold—likened to the midday sun and described as having a form comparable to Time and Death.