देवैर्विष्णोः शरणागमनम्—शिवलिङ्गस्थापनं, शिवसहस्रनामस्तवः, सुदर्शनचक्रप्रदानं च
मानी मान्यो महाकालः सद्भूतिः सत्परायणः चन्द्रसंजीवनः शास्ता लोकगूढो ऽमराधिपः
mānī mānyo mahākālaḥ sadbhūtiḥ satparāyaṇaḥ candrasaṃjīvanaḥ śāstā lokagūḍho 'marādhipaḥ
Siya ay may pagpipigil-sa-sarili at karapat-dapat sa lahat ng paggalang; Siya ang Mahākāla—ang Panahon mismo. Siya ang tunay na kasaganaan at ang sukdulang kanlungan ng mga mabubuti. Siya ang bumubuhay-muli sa Buwan, ang banal na Tagapamahala na nagtutuwid at gumagabay; nakatago sa kailaliman ng mga daigdig, at ang Panginoon ng mga walang-kamatayan (mga deva).
Suta Goswami (narrating Shiva’s Sahasranama to the sages of Naimisharanya)
It frames the Linga as the worship of Pati—Shiva who is Mahākāla (beyond time) yet lokagūḍha (present within all worlds). Linga-pūjā is thus both transcendent devotion and inward recognition of Shiva’s immanence.
Shiva is portrayed as the sovereign reality: worthy of all honor, the ruler (śāstā), the refuge of the sat (satparāyaṇa), and the lord of devas—revealing Shiva-tattva as both cosmic governor and the hidden indweller who grants auspicious being (sadbhūti).
The key practice implied is śaraṇāgati (taking refuge) in Shiva as satparāyaṇa, paired with contemplative worship: meditating on Mahākāla and lokagūḍha supports Pāśupata-style inner discipline where the pashu turns from pāśa toward Pati.