Rudra’s Cosmic Dance and the Recognition of Rudra–Nārāyaṇa Unity (Īśvara-gītā Continuation)
वसानं चर्म वैयाघ्रं शूलासक्तमहाकरम् / दण्डपाणिं त्रयीनेत्रं सूर्यसोमाग्निलोचनम्
vasānaṃ carma vaiyāghraṃ śūlāsaktamahākaram / daṇḍapāṇiṃ trayīnetraṃ sūryasomāgnilocanam
Nakabalot sa balat ng tigre, may dakilang anyo na may trisula, may hawak na tungkod—tatlong-mata, at ang mga mata’y Araw, Buwan, at Apoy.
Narrator (Purāṇic discourse describing Rudra/Śiva’s form within the Kurma Purana’s Shaiva-Vaishnava synthesis)
Primary Rasa: adbhuta
Secondary Rasa: vira
By portraying the deity as “three-eyed” with Sun, Moon, and Fire as eyes, the verse points to all-pervading awareness that illumines waking, dreaming, and deep-sleep-like states—suggesting a supreme witnessing consciousness behind cosmic functions.
The verse is iconographic rather than instructional, but it supports dhyāna-yoga: meditators contemplate the Lord’s form (tiger-skin, staff, trident, three eyes) as a symbolic map of mastery over nature (prakṛti), disciplined restraint (daṇḍa), and penetrating insight (agni-like vision).
Within the Kurma Purana’s synthesis, such descriptions of Rudra function as theology of the one Ishvara: Shiva’s cosmic attributes are presented in a Purāṇic framework where sectarian forms converge into a single supreme principle—supporting non-contradiction between Shaiva and Vaishnava devotion.