Brahmā’s Lotus-Birth, the Sealing of the Cosmic Womb, and the Epiphany of Parameśvara
Hari–Hara Samanvaya
कदाचित् तस्य सुप्तस्य लीलार्थं दिव्यमद्भुतम् / त्रैलोक्यसारं विमलं नाभ्यां पङ्कजमुद्वभौ
kadācit tasya suptasya līlārthaṃ divyamadbhutam / trailokyasāraṃ vimalaṃ nābhyāṃ paṅkajamudvabhau
Minsan, habang Siya’y nasa yogic na pagtulog, alang-alang sa banal na lila na kamangha-mangha, sumibol mula sa Kanyang pusod ang isang dalisay na lotus—kahanga-hanga at makalangit—na siyang diwa ng tatlong daigdig.
Sūta (narrator) recounting the cosmogonic episode within the Kurma Purana narrative frame
Primary Rasa: adbhuta
Secondary Rasa: shanta
It depicts the Supreme (here Nārāyaṇa) as self-sufficient and transcendent—creation arises effortlessly from him during yogic repose, implying that the cosmos proceeds from the Self without diminishing its purity (vimala).
The key idea is yoga-nidrā (yogic sleep): a state of inward absorption where the Lord remains established in sovereign awareness, and yet the power of manifestation operates—an archetype later mirrored in disciplined meditative stillness in Yoga-śāstra traditions.
By framing creation as a divine līlā grounded in purity and yogic sovereignty, the verse supports the Kurma Purana’s broader synthesis: the same supreme reality is praised through different theological lenses (Vaiṣṇava Nārāyaṇa and Śaiva Īśvara), without contradiction in ultimate principle.