Sapta-dvīpa Cosmography and the Vision of Śvetadvīpa–Vaikuṇṭha
सर्वे चतुर्भुजाकाराः शङ्खचक्रगदाधराः / सुपीतवाससः सर्वे श्रीवत्साङ्कितवक्षसः
sarve caturbhujākārāḥ śaṅkhacakragadādharāḥ / supītavāsasaḥ sarve śrīvatsāṅkitavakṣasaḥ
Silang lahat ay may anyong apat ang bisig, tangan ang kabibe, diskos at pamalo; lahat ay nakadamit ng maningning na dilaw, at ang dibdib ay may mapalad na tanda ng Śrīvatsa.
Narrator (Purāṇic narrator describing the vision; traditionally transmitted via Sūta/Vyāsa lineage)
Primary Rasa: adbhuta
Secondary Rasa: shanta
By portraying many identical four-armed Nārāyaṇa-like forms, the verse suggests a single supreme reality expressed through manifold appearances—one essence, many manifestations.
The verse supports dhyāna-yoga through iconographic contemplation (ālambana): meditating on the Lord’s attributes—śaṅkha, cakra, gadā, and Śrīvatsa—to steady the mind and deepen devotion leading toward inner realization.
Though explicitly Vaiṣṇava in imagery, the Kurma Purana commonly frames such visions within a broader synthesis: the one Īśvara is approachable through different divine forms, aligning Vaiṣṇava darśana with the Purāṇa’s Shaiva-Vaishnava unity theme.