Madhu–Kaiṭabha, Nārāyaṇa’s Yoga-Nidrā, Rudra’s Manifestation, and the Aṣṭamūrti–Trimūrti Teaching
नमो दिग्वाससे तुभ्यं नमो मुण्डाया दण्डिने / अनादिमलहीनाय ज्ञानगम्याय ते नमः
namo digvāsase tubhyaṃ namo muṇḍāyā daṇḍine / anādimalahīnāya jñānagamyāya te namaḥ
Pagpupugay sa Iyo na ang mga dako ng kalawakan ang Iyong kasuotan; pagpupugay sa Iyo, ang asetang ahit-ulo na may hawak na tungkod. Pagpupugay sa Iyo na walang pasimula at walang dungis, na naaabot lamang sa pamamagitan ng tunay na kaalaman.
A devotee/sage offering a stotra within the Kurma Purana’s Shaiva–Vaishnava theological frame (addressing the Supreme as Rudra-Narayana)
Primary Rasa: shanta
Secondary Rasa: adbhuta
It portrays the Supreme as beginningless and stainless (anādi, mala-hīna), not grasped by ritual externals but realized through jñāna—implying an inner, transcendental Self beyond impurity and origin.
The imagery of the sky-clad, staff-bearing ascetic points to renunciation (vairāgya), discipline (daṇḍa), and inward contemplation—classical supports for Pāśupata-oriented practice where knowledge-realization is primary.
By venerating ascetic Rudra-like attributes while affirming the Supreme as knowable through jñāna, it aligns with the Kurma Purana’s integrative stance where Rudra and Narayana are treated as one supreme reality approached through devotion and knowledge.