Hymns to Nārāyaṇa: Humility, Bhakti, Yoga, and the Guṇas
कोणाधिपो निरृतिश्च प्रावही प्रवहप्रिया / चत्वार एते पर्जन्यात्त्रिगुणाः परिकीर्तिताः
koṇādhipo nirṛtiśca prāvahī pravahapriyā / catvāra ete parjanyāttriguṇāḥ parikīrtitāḥ
Si Koṇādhipa at si Nirṛti, kasama sina Prāvahī at Pravahapriyā—ang apat na ito ay inilarawan bilang tatlong guna (triguṇa) na nagmumula kay Parjanya, ang prinsipyong nagdadala ng ulan.
Lord Vishnu (speaking to Garuda/Vinatā-putra)
Concept: Triguṇa as a structuring principle manifesting through deities/forces connected with rain and directions.
Vedantic Theme: Prakṛti-guṇa-vikāra (Sāṅkhya-Vedānta interface): qualities as modes of manifestation rather than ultimate reality.
Application: Cultivate discernment (viveka) by seeing changing phenomena as guṇa-play; reduce attachment to transient modes.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: cosmic-directional sphere
Related Themes: Garuda Purana (cosmology/creation lists where triguṇa and directional deities are enumerated; adjacent 3.8.13–16 shift to bhakti teaching)
It frames certain deities/forces as expressions of the three guṇas, indicating that cosmic functions (direction, dissolution, and flow) operate through sattva, rajas, and tamas.
Alongside afterlife material, the Garuda Purana also teaches cosmology: this verse links rainfall/Parjanya to divine forces and guṇas, showing how the world’s processes are structured.
Use it as a reminder to observe how the guṇas shape behavior and environments—cultivating sattva (clarity) while regulating rajas (restlessness) and tamas (inertia).