Haristuti-saṅgraha: Devatā–Ṛṣi Praṇāma, Nāma-māhātmya, and Vairāgya from Deha-āsakti
वह्नेरप्यवरा नित्यं किञ्चिन्मित्राद्गुणाधिकाः / तदनन्तजस्तोत्रं वक्ष्ये शृणु खगेश्वर
vahnerapyavarā nityaṃ kiñcinmitrādguṇādhikāḥ / tadanantajastotraṃ vakṣye śṛṇu khageśvara
Kahit yaong mas mababa kaysa kay Agni (Apoy) ay, sa ilang antas, laging higit na may mga kabutihan kaysa kay Mitra. Ngayon ay ipahahayag ko ang stotra na isinilang mula kay Ananta—makinig ka, O panginoon ng mga ibon.
Lord Vishnu
Concept: Stotra (hymn) as a potent vehicle of devotion and virtue; attentive listening (śṛṇu) is itself a spiritual act preparing the heart for grace.
Vedantic Theme: Bhakti as upāya: sound (śabda) and praise as purifiers leading toward steadiness and higher knowledge.
Application: Adopt a regular stotra practice (recite/listen) with attention; treat ‘listening’ as sādhana, not passive consumption.
Primary Rasa: adbhuta
Secondary Rasa: vira
Type: narrative transition (teacher addressing Garuḍa)
Related Themes: Garuda Purana: stotra sections addressed to Garuḍa; Ananta/Śeṣa-linked hymns in Vaiṣṇava contexts (general internal parallel)
This verse introduces the forthcoming “Anantaja-stotra,” signaling a devotional hymn taught by Vishnu as a spiritually potent instruction within the Purana’s dialogue tradition.
It functions as a transition: Vishnu addresses Garuda directly (“khageśvara”) and announces the next teaching section in the form of a stotra, a common Purana method for transmitting doctrine through praise-hymns.
Approach sacred study with attentive listening and disciplined recitation—treat the hymn as a focused practice of remembrance (bhakti) and ethical refinement through cultivating ‘guṇa’ (virtues).