Shloka 65
Haristuti-saṅgraha: Devatā–Ṛṣi Praṇāma, Nāma-māhātmya, and Vairāgya from Deha-āsakti
एवं स्तुत्वा क्रतुरपि तूष्णीमास खगेश्वर / तदनन्तरजः स्तोतुं मनुर्वैवस्वतोब्रवीत्
evaṃ stutvā kraturapi tūṣṇīmāsa khageśvara / tadanantarajaḥ stotuṃ manurvaivasvatobravīt
Pagkapuri nang gayon, si Kratu man ay nanahimik, O panginoon ng mga ibon. Pagkaraan, si Vaivasvata Manu—na isinilang pagkatapos niya—ay nagsalita, na nagnanais maghandog ng sarili niyang himno ng papuri.
Narrator (Purāṇic narrator addressing Garuda as 'Khageśvara')
Concept: Paramparā: sacred knowledge and praise proceed in orderly succession; silence marks completion and reverence.
Vedantic Theme: Guru-śiṣya/ṛṣi-paramparā as the vessel for transmitting liberating remembrance.
Application: In study or ritual, respect sequence and closure; allow teachings to be received fully before moving on.
Primary Rasa: shanta
Type: assembly/recital setting
Related Themes: Garuda Purana: recurring narrative device—speaker finishes, becomes silent; next speaker begins; Garuda Purana: Vaivasvata Manu appears as dharma authority in related teachings
FAQs
This verse marks a formal transition: after Kratu completes his praise and becomes silent, the next speaker (Vaivasvata Manu) begins his own stotra, setting up the next portion of the teaching in an orderly lineage-based narration.
Indirectly: it is a connective narrative verse that organizes the speakers before the text proceeds into doctrinal material. Such transitions commonly precede instructions on dharma, rites, and purāṇic teachings that later include after-death topics.
It models disciplined speech and reverence: offer praise or prayer with focus, then remain silent and listen—an attitude useful for study of dharma texts and for performing rites with attention and humility.