Kardama Muni’s Mystic Opulence, Devahūti’s Rejuvenation, and the Turning Toward Fearlessness
स्नातं कृतशिर:स्नानं सर्वाभरणभूषितम् । निष्कग्रीवं वलयिनं कूजत्काञ्चननूपुरम् ॥ ३१ ॥
snātaṁ kṛta-śiraḥ-snānaṁ sarvābharaṇa-bhūṣitam niṣka-grīvaṁ valayinaṁ kūjat-kāñcana-nūpuram
Ang buong katawan niya, pati ulo, ay naligo nang lubos. Siya’y pinalamutian ng lahat ng alahas—kuwintas na may nishka (palawit), mga pulseras, at mga gintong anklet na kumakalansing.
The word kṛta-śiraḥ-snānam appears here. According to the smṛti-śāstra’s directions for daily duties, ladies are allowed to bathe daily up to the neck. The hair on the head does not necessarily have to be washed daily because the mass of wet hair may cause a cold. For ladies, therefore, taking a bath up to the neck is ordinarily prescribed, and they take a full bath only on certain occasions. On this occasion Devahūti took a full bath and washed her hair very nicely. When a lady takes an ordinary bath it is called mala-snāna, and when she takes a full bath, including the head, it is called śiraḥ-snāna. At this time she needs sufficient oil to smear on her head. That is the direction of the commentators of smṛti-śāstra.
This verse portrays ornamentation and personal cleanliness as refined and auspicious when situated within dharma—here, describing a saintly householder whose presentation supports a sacred, devotional atmosphere rather than vanity.
Śukadeva Gosvāmī describes Kardama Muni’s well-adorned appearance as part of the narrative setting in which the saintly couple’s household life unfolds, highlighting dignity, purity, and the elevated tone of their union.
Maintain cleanliness, simplicity, and dignified presentation, using material things as supportive tools for devotion and responsibility—without making appearance the center of identity.