Srimad Bhagavatam — Panchama Skandha, Shloka 18
Devotion in Kimpuruṣa-varṣa and the Glory of Bhārata-varṣa
Rāmacandra & Nara-Nārāyaṇa; Rivers, Varṇāśrama, and Liberation
एतासामपो भारत्य: प्रजा नामभिरेव पुनन्तीनामात्मना चोपस्पृशन्ति ॥ १७ ॥ चन्द्रवसा ताम्रपर्णी अवटोदा कृतमाला वैहायसी कावेरी वेणी पयस्विनी शर्करावर्ता तुङ्गभद्रा कृष्णा वेण्या भीमरथी गोदावरी निर्विन्ध्या पयोष्णी तापी रेवा सुरसा नर्मदा चर्मण्वती सिन्धुरन्ध: शोणश्च नदौ महानदी वेदस्मृतिऋर्षिकुल्या त्रिसामा कौशिकी मन्दाकिनी यमुना सरस्वती दृषद्वती गोमती सरयू रोधस्वती सप्तवती सुषोमा शतद्रूश्चन्द्रभागा मरुद्वृधा वितस्ता असिक्नी विश्वेति महानद्य: ॥ १८ ॥
etāsām apo bhāratyaḥ prajā nāmabhir eva punantīnām ātmanā copaspṛśanti; candravasā tāmraparṇī avaṭodā kṛtamālā vaihāyasī kāverī veṇī payasvinī śarkarāvartā tuṅgabhadrā kṛṣṇāveṇyā bhīmarathī godāvarī nirvindhyā payoṣṇī tāpī revā surasā narmadā carmaṇvatī sindhur andhaḥ śoṇaś ca nadau mahānadī vedasmṛtir ṛṣikulyā trisāmā kauśikī mandākinī yamunā sarasvatī dṛṣadvatī gomatī sarayū rodhasvatī saptavatī suṣomā śatadrūś candrabhāgā marudvṛdhā vitastā asiknī viśveti mahā-nadyaḥ.
Ang dalawang ilog — ang Brahmaputra at Śoṇa — ay tinatawag na nada, o pangunahing mga ilog. Ang iba pang malalaking ilog na tanyag ay: Candravasā, Tāmraparṇī, Avaṭodā, Kṛtamālā, Vaihāyasī, Kāverī, Veṇī, Payasvinī, Śarkarāvartā, Tuṅgabhadrā, Kṛṣṇāveṇyā, Bhīmarathī, Godāvarī, Nirvindhyā, Payoṣṇī, Tāpī, Revā, Surasā, Narmadā, Carmaṇvatī, Mahānadī, Vedasmṛti, Ṛṣikulyā, Trisāmā, Kauśikī, Mandākinī, Yamunā, Sarasvatī, Dṛṣadvatī, Gomatī, Sarayū, Rodhasvatī, Saptavatī, Suṣomā, Śatadrū, Candrabhāgā, Marudvṛdhā, Vitastā, Asiknī at Viśvā. Ang mga naninirahan sa Bhārata-varṣa ay dumadalisay sa pamamagitan ng pag-alaala, paghawak, at pagligo sa mga ilog na ito.
All these rivers are transcendental. Therefore one can be purified by remembering them, touching them or bathing in them. This practice is still going on.
FAQs
This verse states that the people of Bhārata-varṣa are purified simply by hearing and chanting the names of holy rivers, and also by personally touching their waters.
In Canto 5, Śukadeva is describing the geography and sacred features of Bhārata-varṣa; naming the rivers emphasizes the land’s tirtha culture and the purifying potency connected with devotion and remembrance.
Even without traveling, one can remember and respectfully chant the names of sacred rivers (and the Lord) as a practice of śravaṇa and kīrtana, cultivating purity of mind and devotional orientation.