Parīkṣit’s Final Absorption, Takṣaka’s Bite, Janamejaya’s Snake Sacrifice, and the Vedic Sound-Lineage
ततोऽक्षरसमाम्नायमसृजद् भगवानज: । अन्तस्थोष्मस्वरस्पर्शह्रस्वदीर्घादिलक्षणम् ॥ ४३ ॥
tato ’kṣara-samāmnāyam asṛjad bhagavān ajaḥ antasthoṣma-svara-sparśa- hrasva-dīrghādi-lakṣaṇam
Mula rin sa oṁkāra na iyon, nilikha ni Bhagavān Brahmā, ang Aja, ang buong hanay ng mga tunog ng titik—mga patinig, katinig, semipatinig, sibilante at iba pa—na pinag-iba sa mga katangiang gaya ng maikli at mahaba.
This verse explains that the unborn Supreme Lord manifests the ordered system of syllables (akṣara-samāmnāya), categorized into vowels, consonants, semivowels, sibilants, and distinctions like short and long sounds—indicating that sacred sound has a divine origin.
Śukadeva is presenting a cosmological and philosophical account where creation includes the manifestation of śabda (sound). By describing the structure of letters and pronunciation, he shows how Vedic revelation and articulate speech arise from the Lord’s ordering potency.
It encourages reverence for truthful speech and mindful chanting—especially mantra and nāma-saṅkīrtana—recognizing sound as spiritually potent and meant to connect the mind and heart to the Supreme.