Pauṇḍraka’s False Vāsudeva Claim, His Death, and the Burning of Vārāṇasī by Sudarśana
तस्य काशीपतिर्मित्रं पार्ष्णिग्राहोऽन्वयान्नृप । अक्षौहिणीभिस्तिसृभिरपश्यत् पौण्ड्रकं हरि: ॥ १२ ॥ शङ्खार्यसिगदाशार्ङ्गश्रीवत्साद्युपलक्षितम् । बिभ्राणं कौस्तुभमणिं वनमालाविभूषितम् ॥ १३ ॥ कौशेयवाससी पीते वसानं गरुडध्वजम् । अमूल्यमौल्याभरणं स्फुरन्मकरकुण्डलम् ॥ १४ ॥
tasya kāśī-patir mitraṁ pārṣṇi-grāho ’nvayān nṛpa akṣauhiṇībhis tisṛbhir apaśyat pauṇḍrakaṁ hariḥ
Ang kaibigan ni Pauṇḍraka, ang hari ng Kāśī, O Hari, ay sumunod sa likuran bilang bantay-hulihan kasama ang tatlong dibisyong akṣauhiṇī. Nakita ni Panginoong Hari na si Pauṇḍraka ay may dalang mga sagisag ng Panginoon—ang kabibe, disk, espada at pamalo—pati ginayang busog na Śārṅga at tanda ng Śrīvatsa. Suot niya ang huwad na hiyas na Kaustubha, may vanamālā na kuwintas ng gubat, nakadamit ng pinong dilaw na seda, may bandilang may larawan ni Garuḍa, at may mahalagang korona at kumikislap na hikaw na hugis makara.
Śrīla Prabhupāda comments in Kṛṣṇa: “When the two kings came before Lord Kṛṣṇa to oppose Him, Kṛṣṇa saw Pauṇḍraka face to face for the first time.”
This verse highlights divine identifiers—yellow silk garments, the Garuḍa emblem, and extraordinary, priceless ornaments—used in the narrative to contrast genuine divinity with Pauṇḍraka’s imitation.
The Garuḍa emblem is a classic Vaiṣṇava royal and divine sign associated with the Supreme Lord’s sovereignty and protection, helping devotees and readers identify the Lord’s authentic insignia in the scripture’s narratives.
It teaches discernment: don’t be misled by external display or claims—evaluate authenticity by consistent, verifiable qualities and higher character, just as the Bhagavatam contrasts true divinity with imitation.