Agni Purana — Sahitya-shastra, Shloka 19
काव्यगुणविवेकः
Examination of the Qualities of Poetry
पाको राग इति प्राज्ञैः षट्प्रपञ्चविपञ्चिताः सुप्रसिद्धर्थपदता प्रसाद इति गीयते
pāko rāga iti prājñaiḥ ṣaṭprapañcavipañcitāḥ suprasiddharthapadatā prasāda iti gīyate
Inilalarawan ng mga pantas ang (mga ito) bilang ‘pāka’ (pagkahinog) at ‘rāga’ (pagkulay o alindog), na pinalalawak sa pamamagitan ng anim-na-uri na pag-uuri; at ang paggamit ng mga salitang ang kahulugan ay kilala at madaling maunawaan ay inaawit bilang ‘prasāda’, ang malinaw at maliwanag na pagbigkas.
Lord Agni (in discourse to Sage Vasiṣṭha, Agni Purāṇa’s standard narration frame)
Vidya Category: {"primary_vidya":"Alamkara","secondary_vidya":"Natya","practical_application":"Improving style by cultivating pāka (maturity) and rāga (charm/coloring) through recognized subtypes, and ensuring prasāda by choosing commonly understood words for lucid communication.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Guṇas: Pāka, Rāga, and Prasāda (Lucidity)","lookup_keywords":["pāka","rāga","prasāda","guṇa","ṣaṭprapañca"],"quick_summary":"Pāka (maturity) and rāga (charm) are elaborated through a sixfold typology, while prasāda is achieved by using words with well-known, readily grasped meanings. The practical aim is stylistic excellence with immediate intelligibility."}
Concept: Aesthetic excellence is systematic: maturity and charm can be analyzed by types, but clarity (prasāda) depends on intelligible diction.
Application: For writers/speakers: revise for pāka (remove rawness), add rāga (measured charm), and secure prasāda by preferring familiar, unambiguous vocabulary unless ornament demands otherwise.
Khanda Section: Sahitya-shastra (Kavya-śāstra: Rasa–Guṇa–Doṣa and stylistics)
Primary Rasa: Shanta
Secondary Rasa: Adbhuta
Visual Art Cues: {"scene_description":"A poet-polisher scene: a manuscript is being refined—one side labeled pāka (ripened), another rāga (colored charm); a third panel shows prasāda as clear, simple words highlighted for easy comprehension; six small icons indicate the sixfold typology.","kerala_mural_prompt":"Kerala mural, artisan-like poet refining a palm-leaf manuscript, six emblematic medallions around (ṣaṭprapañca), clear highlighted words for prasāda, deep reds/ochres and stylized foliage.","tanjore_prompt":"Tanjore painting, gold-leaf emphasis on the word 'prasāda', ornate manuscript stand, six small gold roundels for the typology, rich temple interior aesthetic.","mysore_prompt":"Mysore style, instructional layout: three columns pāka/rāga/prasāda with examples on a scroll, teacher guiding a student, delicate lines and calm palette.","mughal_miniature_prompt":"Mughal miniature, literary salon with poets, one recites while another edits a folio; marginal symbols show sixfold classification; clarity shown by clean calligraphy and spacing."}
Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Raga Shankarabharanam","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: षट्प्रपञ्चविपञ्चिताः = षट् + प्रपञ्च + विपञ्चिताः; सुप्रसिद्धर्थपदता = सु + प्रसिद्ध + अर्थ + पदता.
Related Themes: Agni Purana 345.16 (prauḍhi/aprauḍhi reasoning maturity); Agni Purana 345.18 (prasāda/saubhāgya/praśastatā in naming); Agni Purana 345.20 (saubhāgya, udāratva)
FAQs
This verse imparts kāvya-śāstra (Sanskrit poetics): it defines prasāda-guṇa as lucid diction—using words with meanings that are already well-known and immediately intelligible.
By giving technical definitions from literary theory (guṇas like prasāda, alongside notions such as pāka and rāga), the Agni Purāṇa functions as a compendium that preserves not only religious lore but also systematic knowledge of classical arts and scholarship.
Lucid, truthful, and easily comprehensible speech is traditionally praised as sāttvika and beneficial—supporting dharma by making instruction and praise (stuti) accessible, thereby aiding right understanding and wholesome intention.