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Agni Purana — Raja-dharma, Shloka 59

Rājanīti (Statecraft): Ṣaḍvidha-bala, Vyūha-vidhāna, and Strategic Warfare

तथा कर्कटशृङ्गी च काकपादौ च गोधिका त्रिचतुःसैन्यानां ज्ञेया आकारभेदतः

tathā karkaṭaśṛṅgī ca kākapādau ca godhikā tricatuḥsainyānāṃ jñeyā ākārabhedataḥ

Gayundin, ang mga pormasyon na tinatawag na Karkaṭaśṛṅgī (“sungay-ng-alimango”), Kākapāda (“paa-ng-uwak”), at Godhikā (“butiki”) ay dapat maunawaan—na pinag-iiba ayon sa anyo—bilang mga hanay ng tatlo at apat na antas ng lakas.

तथाlikewise/so
तथा:
Sambandha (सम्बन्ध/क्रियाविशेषण)
TypeIndeclinable
Roottathā (अव्यय)
Formअव्यय; प्रकारवाचक क्रियाविशेषण (indeclinable adverb: ‘thus/likewise’)
कर्कट-शृङ्गीthe ‘crab-horned’ (formation/name)
कर्कट-शृङ्गी:
Karta (कर्ता/उद्देश्य-निर्देश)
TypeNoun
Rootkarkaṭa (प्रातिपदिक) + śṛṅgin (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; तत्पुरुष-समास (कर्कटस्य शृङ्गी)
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय; समुच्चयबोधक निपात (conjunction ‘and’)
काक-पादौthe ‘crow-feet’ (two)
काक-पादौ:
Karta (कर्ता/उद्देश्य-निर्देश)
TypeNoun
Rootkāka (प्रातिपदिक) + pāda (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), द्विवचन; तत्पुरुष-समास (काकस्य पादौ)
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय; समुच्चयबोधक निपात
गोधिकाiguana/lizard (name of a formation)
गोधिका:
Karta (कर्ता/उद्देश्य-निर्देश)
TypeNoun
Rootgodhikā (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन
त्रि-चतुः-सैन्यानाम्of the three- and four-army (arrays)
त्रि-चतुः-सैन्यानाम्:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Roottri (संख्या/प्रातिपदिक) + catur (संख्या/प्रातिपदिक) + sainya (प्रातिपदिक)
Formनपुंसकलिङ्ग (सैन्य-शब्द), षष्ठी (6th), बहुवचन; द्वन्द्व-समास (त्रीणि च चत्वारि च सैन्यानि)
ज्ञेयाshould be known/are to be recognized
ज्ञेया:
Vidheyabhava (विधेय/कर्तव्यता)
TypeVerb
Rootjñā (धातु) + ya (कृत्)
Formकृदन्त (भाव्य/विधेय), ‘ज्ञेय’ (gerundive/future passive participle); स्त्रीलिङ्ग, प्रथमा (1st), एकवचन; विधेय-विशेषण (to be known)
आकार-भेदतःaccording to differences in shape
आकार-भेदतः:
Hetu/Upapada (हेतु/प्रकार)
TypeIndeclinable
Rootākāra (प्रातिपदिक) + bheda (प्रातिपदिक) + tas (अव्यय-प्रत्यय)
Formअव्यय (तसिल्-प्रत्ययान्त); तत्पुरुष-समास (आकारस्य भेदः); ‘-तः’ = ‘from/according to’

Lord Agni (in instruction to the sage Vasiṣṭha, within the Agni Purāṇa’s didactic frame)

Vidya Category: {"primary_vidya":"Dhanurveda","secondary_vidya":"Arthashastra","practical_application":"Identification and deployment of named troop-arrays (vyuha) based on geometric/animal-shaped layouts for three- and four-limbed forces (infantry, cavalry, chariots, elephants).","sutra_style":true}

Encyclopedic Reference: {"reference_type":"List","entry_title":"Karkaṭaśṛṅgī–Kākapāda–Godhikā Vyuha (Tri/Chatur-aṅga)","lookup_keywords":["Karkaṭaśṛṅgī vyuha","Kākapāda formation","Godhikā array","tri-aṅga chatur-aṅga","ākāra-bheda"],"quick_summary":"The verse catalogs three named battle-formations and states they are distinguished by their shapes; they are applicable to three- and four-fold armies depending on available arms."}

Concept: Knowledge as taxonomy: named forms are to be understood through distinguishing marks (ākāra-bheda).

Application: Standardize military communication—shared terminology for formations reduces confusion in deployment.

Khanda Section: Dhanurveda (Ancient Indian military science: battle-formations and troop-arrays)

Primary Rasa: adbhuta

Secondary Rasa: vira

Visual Art Cues: {"scene_description":"A battlefield diagram-like scene showing three distinct troop layouts labeled crab-horned, crow’s-foot, and lizard—each with infantry, cavalry, chariots, and elephants arranged to match the silhouette.","kerala_mural_prompt":"Kerala mural style, flat yet vivid battlefield panorama; stylized elephants and chariots forming a crab-horned and crow’s-foot geometry; commanders pointing with palm-leaf maps; earthy reds, greens, and ochres; temple-mural linework.","tanjore_prompt":"Tanjore painting, gold-leaf accents on standards and armor; symmetrical presentation of three formations as separate panels; ornate borders; gleaming weapons and royal commander at center holding a formation-scroll.","mysore_prompt":"Mysore painting, refined linework and soft shading; instructional composition with labeled troop blocks forming the three shapes; emphasis on clarity of outlines and unit types; muted jewel tones.","mughal_miniature_prompt":"Mughal miniature, top-down oblique view of a battlefield; precise ranks of soldiers forming crab-horned, crow’s-foot, and lizard patterns; detailed banners, horses, and elephants; calligraphic labels in margins."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":null,"pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: कर्कटशृङ्गी = कर्कट-शृङ्गी; काकपादौ = काक-पादौ; त्रिचतुःसैन्यानां = त्रि-चतुः-सैन्यानाम्; आकारभेदतः = आकार-भेदतः.

Related Themes: Agni Purana Dhanurveda khanda: vyuha-nirupana sections around 241.55–241.70 (arrays by name and type)

D
Dhanurveda
V
Vyūha (battle formation)
K
Karkaṭaśṛṅgī
K
Kākapāda
G
Godhikā

FAQs

It imparts Dhanurvedic tactical knowledge: recognizing specific named battle-formations (Karkaṭaśṛṅgī, Kākapāda, Godhikā) and classifying them as arrangements suited to three- or four-fold army components, identified primarily by their geometric layout.

By cataloging specialized vyūha terminology and practical battlefield classifications, it shows the Agni Purāṇa functioning as a compendium that includes not only theology and ritual but also applied sciences like statecraft and ancient Indian military strategy.

Indirectly, it supports dharma of protection (rājadharma/kṣātra-dharma): correct strategic knowledge helps a ruler defend subjects and maintain order, which is treated in Purāṇic thought as a meritorious duty when exercised for righteous governance.