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Agni Purana — Mantra-shastra, Shloka 3

वागीश्वरीपूजा

The Worship of Vāgīśvarī

द्विपर्णकमिति ख कोटिद्वयन्तु तन्मध्यादङ्कयेद्दक्षिणोत्तरम् मध्ये द्वयं प्रकर्तव्य स्फालयेद्दक्षिनोत्तरम्

dviparṇakamiti kha koṭidvayantu tanmadhyādaṅkayeddakṣiṇottaram madhye dvayaṃ prakartavya sphālayeddakṣinottaram

“(Ito ay tinatawag na) dviparṇaka.” Mula sa gitna nito, dapat markahan ang dalawang sulok sa kahabaan ng linyang timog–hilaga. Sa sentro, gumawa pa ng dalawang marka (o guhit), at saka buksan/iladlad ang anyo ayon sa timog–hilagang direksiyon.

dviparṇakamthe 'two-leaf' (figure)
dviparṇakam:
Karma (कर्म/thing named)
TypeNoun
Rootdvi+parṇaka (प्रातिपदिक)
Formनपुंसकलिङ्गे, प्रथमा/द्वितीया (contextual; here as label), एकवचन; dvigu 'two-leafed (figure)'
itithus
iti:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootiti (अव्यय)
Formअव्यय (quotative)
khakha (marker)
kha:
Sambandha (सम्बन्ध/marker)
TypeNoun
Rootkha (प्रातिपदिक)
Formनपुंसकलिङ्गे, प्रथमा (1st), एकवचन; technical syllable/marker (unclear in transmission)
koṭi-dvayamtwo corners/sides
koṭi-dvayam:
Karma (कर्म)
TypeNoun
Rootkoṭi+dvaya (प्रातिपदिक)
Formनपुंसकलिङ्गे, द्वितीया (2nd), एकवचन; 'a pair of corners/sides'
tubut/indeed
tu:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
Formअव्यय (particle/emphasis)
tat-madhyātfrom its middle
tat-madhyāt:
Apādāna (अपादान/source)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)+madhya (प्रातिपदिक)
Formनपुंसकलिङ्गे, पञ्चमी (5th/पञ्चमी), एकवचन; 'from its middle'
aṅkayetshould mark
aṅkayet:
Kriyā (क्रिया)
TypeVerb
Root√aṅk (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd), एकवचन; परस्मैपद
dakṣiṇa-uttaramsouth-to-north
dakṣiṇa-uttaram:
Karma (कर्म/marked line orientation)
TypeAdjective
Rootdakṣiṇa+uttara (प्रातिपदिक)
Formनपुंसकलिङ्गे, द्वितीया (2nd), एकवचन; dvandva 'south-north' used adverbially to indicate orientation
madhyein the middle
madhye:
Adhikarana (अधिकरण)
TypeNoun
Rootmadhya (प्रातिपदिक)
Formनपुंसकलिङ्गे, सप्तमी (7th), एकवचन
dvayama pair/two (marks)
dvayam:
Karma (कर्म)
TypeNoun
Rootdvaya (प्रातिपदिक)
Formनपुंसकलिङ्गे, द्वितीया (2nd), एकवचन
prakartavyamto be made
prakartavyam:
Kriyāviśeṣaṇa (क्रियाविशेषण/predicative)
TypeAdjective
Rootpra+√kṛ (धातु)
Formकृत्य-प्रत्यय (gerundive/obligative, -tavya), नपुंसकलिङ्गे, प्रथमा/द्वितीया, एकवचन; 'to be made'
sphālayetshould snap/jerk
sphālayet:
Kriyā (क्रिया)
TypeVerb
Root√sphal (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd), एकवचन; परस्मैपद
dakṣiṇa-uttaramsouth-to-north
dakṣiṇa-uttaram:
Karma (कर्म/axis)
TypeAdjective
Rootdakṣiṇa+uttara (प्रातिपदिक)
Formनपुंसकलिङ्गे, द्वितीया (2nd), एकवचन; dvandva used adverbially

Lord Agni (instructing the sage Vasiṣṭha in the Agni Purana’s technical sections)

Vidya Category: {"primary_vidya":"Vastu","secondary_vidya":"Shilpa","practical_application":"Constructing the dviparṇaka figure by establishing south–north corner marks and central lines, expanding the layout along the meridian axis.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Dviparṇaka Yantra/Kṣetra Construction (South–North Expansion)","lookup_keywords":["dviparṇaka","dakṣiṇottara","koṭi-dvaya","madhya-rekhā","sphālana"],"quick_summary":"From the central reference, mark two corner points on the south–north axis, add two central marks/lines, and extend the figure along the meridian to complete the dviparṇaka layout."}

Concept: Form is generated from the center (madhya) through ordered extension along axes; symmetry is a discipline of mind and craft.

Application: After fixing the midpoint, establish the north–south line; mark symmetric points; then extend/‘open’ the figure to maintain proportional balance.

Khanda Section: Vastu-śāstra / Yantra-lakṣaṇa (diagrammatic construction and measurements)

Primary Rasa: adbhuta

Secondary Rasa: śānta

Visual Art Cues: {"scene_description":"A ground-plan in progress: a central point, a north–south line, two symmetric corner marks, and additional central strokes forming the dviparṇaka figure; artisans extend the layout with cords.","kerala_mural_prompt":"Kerala mural; stylized geometric figure on floor with red/white lines; craftsmen snapping cords north–south; cardinal direction emblems; strong outlines and flat color fields.","tanjore_prompt":"Tanjore; the dviparṇaka geometry rendered like a sacred diagram with gold highlights; artisans in traditional attire; decorative border with lotus and conch motifs.","mysore_prompt":"Mysore; instructional plate-like composition: central dot, N–S axis, two corner points, two central lines; clean, readable geometry; muted elegant palette.","mughal_miniature_prompt":"Mughal miniature; surveyors around a drawn figure; fine brushwork showing measured points; a supervisor indicates the north direction with a staff; detailed textiles and instruments."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":null,"pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: dviparṇakamiti → dviparṇakam + iti; koṭidvayantu → koṭi-dvayam + tu; tanmadhyāt → tat-madhyāt; aṅkayeddakṣiṇottaram → aṅkayet + dakṣiṇa-uttaram; sphālayeddakṣinottaram → sphālayet + dakṣiṇa-uttaram.

Related Themes: Agni Purana sequence on cord-lines, squares, and kṣetra-vinyāsa (319.2–319.5 context)

D
Dviparṇaka (yantra/diagram term)
D
Dakṣiṇa–Uttara (cardinal axis)

FAQs

It teaches a precise drafting step for a named diagram (dviparṇaka): marking paired corners from the centre and creating two central divisions aligned on the south–north axis.

Beyond mythic narration, the Agni Purana preserves applied technical knowledge—here, practical geometric/diagrammatic rules used in ritual, yantra, or vastu/temple-layout contexts.

Correct directional alignment and accurate construction are treated as essential for ritual efficacy; precision in the prescribed layout is understood to support purity, order (ṛta), and the intended fruit of the rite.