Prahlada’s Defeat by Nara-Narayana and Victory through Bhakti
तत्र दृष्ट्वा महादेवं नदीं स्नातुमवातरत् अवतीर्णं प्रजग्राह नागः केकरलोहितः
tatra dṛṣṭvā mahādevaṃ nadīṃ snātumavātarat avatīrṇaṃ prajagrāha nāgaḥ kekaralohitaḥ
ณ ที่นั้น ครั้นได้เห็นมหาเทพแล้ว เขาก็ลงสู่แม่น้ำเพื่ออาบน้ำ; เมื่อเขาลงแล้ว นาคนามว่า ‘เกกรโลหิต’ ได้เข้าจับกุมเขาไว้।
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Even in sacred acts (snāna after darśana), obstacles may arise; the narrative pattern typically teaches steadiness in dharma and reliance on divine order rather than complacency in piety.
It belongs to narrative/episode material (ākhyāna) supporting tīrtha-māhātmya and dharma themes, not to sarga/pratisarga genealogical catalogues directly.
The nāga’s seizure can symbolize latent dangers (inner passions/saṃskāras) that surface precisely at liminal moments (descending into waters), while Mahādeva’s presence signals that Śaiva grace/order frames the episode’s resolution.