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Skanda Purana — Kashi Khanda, Shloka 74

मृगाणां पक्षिणामित्थं दृष्ट्वा चेष्टां त्रिविष्टपम् । अकांडपातसंकष्टं निनिंदुस्त्रिदशा बहु

mṛgāṇāṃ pakṣiṇāmitthaṃ dṛṣṭvā ceṣṭāṃ triviṣṭapam | akāṃḍapātasaṃkaṣṭaṃ niniṃdustridaśā bahu

ครั้นเห็นกิริยาเช่นนั้นในหมู่กวางและนกทั้งหลาย เหล่าเทวะจึงตำหนิสวรรค์เองอย่างยิ่ง ด้วยความร้อนรนต่อทุกข์และวิกฤตแห่งการ “ตก” ลงอย่างฉับพลัน

मृगाणाम्of the animals/deer
मृगाणाम्:
Sambandha (सम्बन्ध)
TypeNoun
Rootमृग (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति (6th/Genitive), बहुवचन
पक्षिणाम्of the birds
पक्षिणाम्:
Sambandha (सम्बन्ध)
TypeNoun
Rootपक्षिन् (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति, बहुवचन
इत्थम्thus/in this manner
इत्थम्:
Kriya-visheshana
TypeIndeclinable
Rootइत्थम् (अव्यय)
Formक्रियाविशेषण (adverb) — एवम्/अनेन प्रकारेण
दृष्ट्वाhaving seen
दृष्ट्वा:
Purva-kala-kriya (पूर्वकालक्रिया)
TypeVerb
Rootदृश् (धातु)
Formक्त्वान्त (absolutive/gerund), अव्ययभावः; अर्थः—दर्शनं कृत्वा (having seen)
चेष्टाम्behavior/act
चेष्टाम्:
Karma (कर्म)
TypeNoun
Rootचेष्टा (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया, एकवचन
त्रिविष्टपम्heaven (Triviṣṭapa)
त्रिविष्टपम्:
Karma (कर्म)
TypeNoun
Rootत्रिविष्टप (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, द्वितीया, एकवचन
अकाण्डपातसंकष्टम्distressed by sudden downfall
अकाण्डपातसंकष्टम्:
Visheshana (विशेषण)
TypeAdjective
Rootअकाण्ड + पात + संकष्ट (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन; समासः तत्पुरुषः (अकाण्डपातेन संकष्टम्)
निनिन्दुःthey censured
निनिन्दुः:
Kriya (क्रिया)
TypeVerb
Rootनिन्द् (धातु)
Formलिट्-लकार (Perfect), प्रथम-पुरुष, बहुवचन; परस्मैपदम्
त्रिदशाःthe gods (thirty)
त्रिदशाः:
Karta (कर्ता)
TypeNoun
Rootत्रिदश (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन
बहुgreatly/much
बहु:
Kriya-visheshana
TypeIndeclinable
Rootबहु (प्रातिपदिक/अव्ययप्रयोग)
Formक्रियाविशेषण (adverbial accusative) — अत्यर्थम्/बहुधा

Skanda (deduced; narrative evaluation)

Scene: Gods in Svarga observe the gentle, disciplined behavior of animals and birds and, feeling the pain of heaven’s precariousness and sudden fall, criticize Svarga’s instability; a subtle contrast with the serenity of true liberation is implied.

T
Tridaśa (Devas)
T
Triviṣṭapa (Svarga)

FAQs

Heaven is unstable and subject to ‘fall’; the narrative implicitly elevates liberation and the mokṣa-kṣetra ideal above mere svarga-merit.

By contrast and implication, Kāśī/Avimukta is glorified as a superior spiritual destination to Svarga.

None; it frames a theological comparison—svarga’s precariousness versus the higher promise of liberation.