दिव्यरथारोहणम् — Śiva’s Ascent on the Divine Chariot
Pre-battle Portents
नानायुधाढ्याः परमप्रकाशा महोत्सवश्शंभुजयं वदंतः । ययुः पुरस्तस्य महेश्वरस्य तदेन्द्रपद्मोद्भवविष्णुमुख्याः
nānāyudhāḍhyāḥ paramaprakāśā mahotsavaśśaṃbhujayaṃ vadaṃtaḥ | yayuḥ purastasya maheśvarasya tadendrapadmodbhavaviṣṇumukhyāḥ
เหล่าทวยเทพผู้เปล่งประกายยิ่ง พร้อมศัสตรานานา ต่างเคลื่อนนำหน้าพระมหีศวร พลางเปล่งวาจาในมหามงคลว่า “ชัยแด่ศัมภู!” โดยมีพระอินทร์ พระพรหมผู้บังเกิดจากดอกบัว และพระวิษณุเป็นผู้นำหน้า।
Sūta Gosvāmin (narrating to the sages at Naimiṣāraṇya)
Tattva Level: pati
Shiva Form: Tripurāntaka
Sthala Purana: The cry ‘Śaṃbhu-jaya’ frames the impending destruction of Tripura as a dharmic ‘festival’—saṃhāra understood as auspicious when it removes adharma and prepares the ground for grace.
Significance: Liturgical takeaway: communal nāma-jaya (victory-cry) functions like kīrtana—aligning collective consciousness with Śiva’s sovereignty and inviting anugraha after the removal of obstacles.
Mantra: śaṃbhu-jayaṃ
Type: stotra
Offering: pushpa
It establishes Śiva (Maheśvara/Śambhu) as the supreme Pati, before whom even the highest devas—Indra, Brahmā, and Viṣṇu—stand in reverent celebration, showing that true victory culminates in surrender and praise of Śiva.
The verse highlights Saguna Śiva as Maheśvara who is approachable and worthy of stuti (praise). In Purāṇic worship, this devotion naturally expresses itself through Liṅga-upāsanā—honoring Śiva’s presence as the supreme Lord who grants protection and grace.
A practical takeaway is nāma-japa and kīrtana of Śiva’s victory—repeating praises such as “Jaya Śambho” alongside Panchākṣarī-japa (Om Namaḥ Śivāya), offered with a devotional attitude (bhakti) as the inner ‘festival’ of the heart.