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Shiva Purana — Rudra Samhita, Shloka 29

शब्दब्रह्मतनुवर्णनम् — Description of the Form of Śabda-Brahman

पंचवक्त्रं दशभुजं गौरकर्पूरवन्मुने । नानाकांति समायुक्तं नानाभूषणभूषितम्

paṃcavaktraṃ daśabhujaṃ gaurakarpūravanmune | nānākāṃti samāyuktaṃ nānābhūṣaṇabhūṣitam

ดูก่อนมุนี เขาได้เห็นพระศิวะในรูปอันงดงาม มีห้าพักตร์สิบกร ผ่องสว่างขาวดุจกำยานการบูร เปี่ยมด้วยรัศมีนานาประการ และประดับด้วยเครื่องอลังการทิพย์หลากหลาย

पञ्चवक्त्रम्five-faced
पञ्चवक्त्रम्:
कर्म (Karma/कर्मपद)
TypeAdjective
Rootपञ्च + वक्त्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1/2), एकवचन; विशेषण (adjectival)
दशभुजम्ten-armed
दशभुजम्:
कर्म (Karma/कर्मपद)
TypeAdjective
Rootदश + भुज (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1/2), एकवचन; विशेषण
गौरकर्पूरवत्like white camphor
गौरकर्पूरवत्:
कर्म (Karma/कर्मपद)
TypeAdjective
Rootगौर + कर्पूर + वत् (प्रातिपदिक)
Formअव्ययवत्-प्रत्ययान्त (वत्), नपुंसकलिङ्ग, प्रथमा/द्वितीया (1/2), एकवचन; उपमानवाचक विशेषण
मुनेO sage
मुने:
सम्बोधन (Address/सम्बोधन)
TypeNoun
Rootमुनि (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन (8), एकवचन
नानाकान्तिof many splendors
नानाकान्ति:
कर्म (Karma/कर्मपद)
TypeAdjective
Rootनाना (अव्यय) + कान्ति (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा/द्वितीया (1/2), एकवचन; विशेषण (बहुविधकान्तियुक्त)
समायुक्तम्endowed/connected
समायुक्तम्:
कर्म (Karma/कर्मपद)
TypeAdjective
Rootसम्-आ-युज् (धातु) + क्त (कृदन्त)
Formभूतकृदन्त (क्त/PPP), नपुंसकलिङ्ग, प्रथमा/द्वितीया (1/2), एकवचन; विशेषण
नानाभूषणभूषितम्adorned with many ornaments
नानाभूषणभूषितम्:
कर्म (Karma/कर्मपद)
TypeAdjective
Rootनाना (अव्यय) + भूषण (प्रातिपदिक) + भूषित (भूष् धातु + क्त)
Formभूतकृदन्त (क्त/PPP) अन्त, नपुंसकलिङ्ग, प्रथमा/द्वितीया (1/2), एकवचन; तत्पुरुषसमासः (नानाभूषणैः भूषितम्)

Suta Goswami

Tattva Level: pati

Shiva Form: Sadāśiva

Type: stotra

Shakti Form: Gaurī

Role: nurturing

Offering: pushpa

S
Shiva

FAQs

The verse emphasizes Saguna-Śiva—Śiva graciously taking a perceivable form for the devotee’s vision—showing that divine compassion makes the transcendent (Pati) approachable through darśana, devotion, and contemplation.

While the Liṅga points to Śiva’s formless, limitless reality (Nirguṇa), this description highlights Śiva’s manifest attributes (Saguṇa) used in dhyāna and pūjā; both modes are complementary in Shaiva practice, leading the mind from form to the formless truth.

Dhyāna (meditative visualization) on Pañcavaktra Śiva—radiant, ornamented, and multi-armed—can be paired with japa of the Pañcākṣarī mantra “Om Namaḥ Śivāya,” as a focused devotional practice.