मुनिप्रश्नवर्णनम्
Description of the Sages’ Questions
गीयमानो वितृष्णैश्च भवरोगौषधोऽपि हि । मनःश्रोत्राभिरामश्च यत्तस्सर्वार्थदस्स वै
gīyamāno vitṛṣṇaiśca bhavarogauṣadho'pi hi | manaḥśrotrābhirāmaśca yattassarvārthadassa vai
เมื่อถูกขับร้องโดยผู้ไร้ความใคร่ปรารถนา ก็เป็นโอสถแท้ต่อโรคแห่งภพ (สังสาระ) และเพราะรื่นรมย์ทั้งใจและโสต จึงเป็นสิ่งที่ประทานปุรุษารถะทั้งปวงโดยแท้
Suta Goswami (narrating to the sages at Naimisharanya within the Rudrasaṃhitā context)
Tattva Level: pasha
Shiva Form: Sadāśiva
Sthala Purana: Not site-specific; presents Śiva-kīrtana as ‘bhavaroga-auṣadhi’—a doctrinal metaphor for curing saṃsāra produced by pāśa (bondage).
Significance: Positions Śiva’s praise as a therapeutic sādhana: it alleviates bhava (repeated becoming) and yields puruṣārthas; encourages tīrtha-like reliance on nāma/kathā rather than mere travel.
Type: stotra
Role: nurturing
It teaches that Shiva-stuti (praise of Shiva), when performed with vairagya (freedom from craving), becomes a direct remedy for bhavaroga—the bondage of repeated birth and death—leading the devotee toward Shiva’s grace and liberation.
Singing Shiva’s glories is a core limb of Saguna worship—often done before the Shiva-linga through nāma-saṅkīrtana and stotra—where sound (śabda) and devotion purify the mind and make it fit to receive Shiva’s anugraha (grace).
Practice daily nāma-japa and stotra-pāṭha with a desireless attitude—ideally before a Shiva-linga, with Tripuṇḍra (bhasma) and rudrākṣa—treating the praise as inner medicine for samsara rather than a means for mere worldly gain.