दाक्षयज्ञप्रस्थान-प्रश्नः
Satī Inquires about the Departure for Dakṣa’s Sacrifice
धारागृहे वितानेन सखीभिः परिवारिता । दाक्षायणी महाक्रीडाश्चकार विविधास्सती
dhārāgṛhe vitānena sakhībhiḥ parivāritā | dākṣāyaṇī mahākrīḍāścakāra vividhāssatī
ในเรือนสายฝน ใต้เพดานผ้าและท่ามกลางสหายหญิงรายล้อม พระสตีผู้เป็นธิดาทักษะได้สำราญด้วยกีฬานานาประการอันรื่นรมย์
Suta Goswami
Tattva Level: pashu
Shiva Form: Umāpati
Sthala Purana: Domestic-divine vignette (Satī in a pleasure pavilion) preceding the crisis of Dakṣa-yajña; no direct Jyotirliṅga linkage.
Shakti Form: Satī
Role: nurturing
It portrays Satī’s auspicious, divinely protected life among companions, hinting that her worldly play is still under dharmic order—preparing the ground for her unwavering devotion to Śiva, the supreme Pati, who alone grants liberation.
Though the verse is narrative, it situates Satī’s human-like leela that culminates in her exclusive orientation toward Śiva; such stories support saguna-bhakti, where devotees approach Śiva (and the Liṅga as his abiding presence) through loving remembrance of his divine play and relationships.
A practical takeaway is smaraṇa (devotional recollection): contemplate Satī’s purity and single-heartedness, then chant the Pañcākṣarī—“Om Namaḥ Śivāya”—to steady the mind in Śiva-bhakti.