विष्णोर्दर्शनं स्तुतिश्च
Viṣṇu’s Manifestation and Brahmā’s Hymn
चतुर्भुजोरविंदाक्षः शंरववार्ज गदाधरः । लसत्पीत पटश्श्यामतनुर्भक्तप्रियो हरिः
caturbhujoraviṃdākṣaḥ śaṃravavārja gadādharaḥ | lasatpīta paṭaśśyāmatanurbhaktapriyo hariḥ
พระหริทรงมีสี่กร ทรงมีเนตรดุจดอกบัว ทรงถือสังข์ จักร และคทา ทรงรุ่งเรืองด้วยผ้าพีตัมพรสีเหลืองอร่าม และพระวรกายสีเข้ม เป็นที่รักยิ่งของเหล่าภักตา
Suta Goswami
Tattva Level: pati
Shiva Form: Umāpati
Offering: dipa
The verse highlights saguna-dhyāna—contemplation of the Lord with attributes—showing that divine grace responds to bhakti. In Shaiva understanding, such devotion ultimately matures into surrender to Pati (Shiva) who grants liberation, while honoring other deities as exalted forms within the cosmic order.
By describing Hari’s iconographic marks, the text models how form-based worship steadies the mind. Likewise, the Shiva-liṅga is the primary saguna support for meditation in Shaiva practice—an outward symbol guiding the devotee toward Shiva as the supreme Pati beyond all limiting attributes.
It supports dhyāna with clear visual attributes (lotus eyes, four arms, weapons, garment) combined with bhakti. A Shaiva takeaway is to pair such remembrance with Panchākṣarī japa (Om Namaḥ Śivāya) and simple worship (archana) to cultivate one-pointed devotion.