Previous Verse
Next Verse

Shiva Purana — Rudra Samhita, Shloka 15

कुमाराभिषेकवर्णनम् — Description of Kumāra’s Abhiṣeka

Consecration/Installation

तदानीमेव तं सर्वे वीरभद्रादयो गणाः । कुर्वन्तः स्वन्वयुः केलिं नानातालधरस्वराः

tadānīmeva taṃ sarve vīrabhadrādayo gaṇāḥ | kurvantaḥ svanvayuḥ keliṃ nānātāladharasvarāḥ

ในขณะนั้นเอง เหล่าคณะคณะ (คณะของพระศิวะ) นำโดยวีรภัทร ต่างเปล่งเสียงกึกก้อง ถือจังหวะและทำนองนานา แล้วเริงเล่นด้วยความยินดีรายรอบพระองค์

tadānīmat that very time
tadānīm:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Roottadānīm (अव्यय)
FormAvyaya (अव्यय), temporal adverb (कालवाचक क्रियाविशेषण)
evaindeed/just
eva:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rooteva (अव्यय)
FormAvyaya (अव्यय), particle of emphasis (निपात)
tamhim
tam:
Karma (कर्म)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormPronoun (सर्वनाम), Masculine (पुंलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
sarveall
sarve:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsarva (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन)
vīrabhadra-ādayaḥVīrabhadra and others
vīrabhadra-ādayaḥ:
Karta (कर्ता)
TypeNoun
Rootvīrabhadra + ādi (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन); समास: वीरभद्रः आदिः येषाम् (आदि-समास/तत्पुरुष-प्रयोग)
gaṇāḥthe troops/attendants
gaṇāḥ:
Karta (कर्ता)
TypeNoun
Rootgaṇa (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन)
kurvantaḥdoing/making
kurvantaḥ:
Karta (कर्ता)
TypeVerb
Rootkṛ (धातु)
FormKṛdanta: Present active participle (शतृ), Masculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन)
svanvayuḥtheir own accompaniment/sequence (of sounds)
svanvayuḥ:
Karma (कर्म)
TypeNoun
Rootsva + anvaya (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन); समास: स्वस्य अन्वयः (षष्ठी-तत्पुरुष)
kelimsport/play
kelim:
Karma (कर्म)
TypeNoun
Rootkeli (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
nānā-tāla-dhara-svarāḥhaving sounds bearing various rhythms
nānā-tāla-dhara-svarāḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootnānā + tāla + dhara + svara (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन); बहुव्रीहि: नानाः तालाः धरन्ति ये, (ते) स्वराः/स्वरवन्तः

Sūta Gosvāmin

Tattva Level: pati

Shiva Form: Vīrabhadra

Type: stotra

V
Vīrabhadra
G
Gaṇas

FAQs

The verse highlights that Shiva’s attendants respond to divine events with sacred sound, rhythm, and joyful reverence—showing bhakti as an embodied, celebratory remembrance that aligns the mind with Śiva (Pati) through harmony and devotion.

The gaṇas’ rhythmic celebration reflects Saguna worship—approaching Śiva through form, presence, sound, and festival-like devotion. Such joy supports focused reverence, which in Shaiva Siddhanta becomes a means to steady the soul (paśu) toward Śiva’s grace.

It suggests devotional practice through nāda (sacred sound): kīrtana, rhythmic japa of the Pañcākṣarī (“Om Namaḥ Śivāya”), and worship with measured rhythm (tāla) to keep attention steady and devotional.