Aindra invocation: Indra’s manifest presence at the rite and his vṛtra-slaying power securing success for the sacrificers
दोषो आगाद्बृहद्गाय द्युमद्गामन्नाथर्वण स्तुहि देवं सवितारम्
doṣo āgādbṛhadgāya dyumadgāmannātharvaṇa stuhi devaṃ savitāram
dóṣo1 ā́gād2 bṛhád-gāya2 dyumád-gāman nā́1 atharvaṇa2 stúhi2 deváṃ2 savitā́ram
ยามเย็นมาถึงแล้ว: จงขับบทสวดอันยิ่งใหญ่แด่ผู้ดำเนินด้วยรัศมี (สวิตฤ Savitṛ); โอ้อถรรพวัน จงสรรเสริญเทพสวิตฤเถิด.
doṣaḥ | āgāt | bṛhat-gāya | dyumat-gāman | nā | atharvaṇa | stuhi | devam | savitāram
Sāvitra (generic; specific Sāman-name not supplied in input)
{ "prastava": "Stobha-led prelude introducing the Sāvitra melodic frame (not specified).", "udgitha": "Core text typically centered on ‘doṣo āgād bṛhad-gāya…’.", "pratihara": "Responsorial cadence echoing the udgītha end (often stobha/short reprise).", "upadrava": "Continuation emphasizing ‘stuhi devaṃ savitāram’ with final lengthenings.", "nidhana": "Closing cadence (stobha) sealing the Savitṛ invocation.", "structure_notes": "Twilight chants often emphasize smooth joins between parts to avoid ‘breaks’ at liminal time; sustain is preferred over sharp cuts.", "singer_assignments": "Prastotṛ (prastāva), Udgātṛ (udgītha+upadrava), Pratihartṛ (pratihāra), all (nidhana)." }
{ "gloss_summary": "Sāyaṇa reads doṣaḥ as the proper temporal occasion for Savitṛ praise; Atharvaṇa is an address authorizing/urging the singer-priest to perform the stotra; bṛhat-gāya indicates the appropriate ‘great’ chant.", "ritual_interpretation": "A time-marker verse: indicates the sandhyā occasion for a Savitṛ-stotra within the liturgical sequence.", "theological_insight": "Savitṛ is the divine regulator of movement and timing; praising him aligns the rite with cosmic order.", "etymology_highlights": "Savitṛ from √sū/√su ‘to impel/bring forth’; doṣaḥ ‘evening’ as the ‘darkening’ time; dyumat ‘possessing light’." }