Shloka 83
Account of Various Sacred Tīrthas
Pilgrimage Merits and Prayāga Supremacy
तत्र हंसप्रपतनं तीर्थं त्रैलोक्यविश्रुतम् । दशाश्वमेधिकं चैव गंगायां कुरुनंदन
tatra haṃsaprapatanaṃ tīrthaṃ trailokyaviśrutam | daśāśvamedhikaṃ caiva gaṃgāyāṃ kurunaṃdana
ณ ที่นั้นมีทิรถะชื่อ “หังสประปตนะ” อันเลื่องลือในไตรโลก; และ ณ คงคา ยังมีทิรถะ “ทศาศวเมธิกะ” ด้วย โอ้เชื้อสายกุรุ
Pulastya (to Bhīṣma)
Concept: Contact with a renowned tīrtha concentrates vast sacrificial merit into accessible pilgrimage practice.
Application: Undertake periodic pilgrimage or local ‘tīrtha-bhāva’ (reverent approach to rivers/temples), pairing physical travel with ethical restraint and charity to make the merit stable.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: tirtha
Visual Art Cues: {"scene_description":"A wide Gaṅgā ford where white haṃsas descend in a slow spiral, their wings catching sunlight like silver. On the bank, ancient yajña-vedīs and a modest tīrtha-shrine stand amid pilgrims offering water and flowers, suggesting the invisible presence of ‘ten Aśvamedhas’ condensed into this single crossing-place.","primary_figures":["Gaṅgā Devī (personified)","Pulastya","Bhīṣma","haṃsas (sacred swans)","pilgrims and brāhmaṇas"],"setting":"Gaṅgā riverbank tīrtha with stone steps (ghāṭa), small shrine, remnants of sacrificial altars, distant forested foothills","lighting_mood":"golden dawn","color_palette":["sapphire blue","river-jade green","lotus pink","gold leaf","ivory white"],"tanjore_prompt":"Tanjore painting style: Gaṅgā Devī rising from stylized waves at Haṃsaprapatana, swans in symmetrical arcs, Pulastya and Bhīṣma seated on ornate ghāṭa steps, miniature yajña-vedīs labeled Daśāśvamedhika, heavy gold leaf halos, rich vermilion and emerald borders, gem-studded ornaments, South Indian iconographic precision.","pahari_prompt":"Pahari miniature style: lyrical Gaṅgā ford with delicate swans, soft Himalayan foothills, Pulastya instructing Bhīṣma under a flowering tree, tiny pilgrims on ghāṭa steps, cool blues and moss greens, refined faces, airy perspective and fine linework.","kerala_mural_prompt":"Kerala mural style: bold-outlined Gaṅgā Devī with large expressive eyes, swans and wave motifs filling the frame, Pulastya and Bhīṣma in formal seated posture, temple-wall palette of ochre red, leaf green, and deep blue, ornamental borders and rhythmic patterning.","pichwai_prompt":"Pichwai cloth painting style: Gaṅgā as a lotus-filled river with swans and floral borders, tīrtha-ghāṭa rendered as a decorative panel, pilgrims offering lamps, intricate lotus and creeper motifs, deep indigo background with gold detailing, peacocks at the margins for auspiciousness."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["flowing water","temple bells","conch shell","soft crowd murmur","birds"]}
Sandhi Resolution Notes: daśa+aśvamedhikam → daśāśvamedhikam (अ+अ → आ); ca+eva → caiva (अ+ए → ऐ).
FAQs
It names two specific Gaṅgā-associated tīrthas—Haṃsaprapatana and Daśāśvamedhika—presenting the Svargakhaṇḍa’s focus on mapping spiritually potent pilgrimage locations.
By highlighting renowned tīrthas on the Gaṅgā, it supports a devotional culture where pilgrimage, remembrance, and reverence for sacred places become practical expressions of bhakti.
The verse encourages honoring sacred spaces and traditions: seeking uplift through recognized holy sites and approaching them with humility and faith rather than mere curiosity.