Shloka 10
Appeasement Rite of the Sun
Sunday Vrata, Mantra, and Healing Praise
द्विभुजं रक्तपद्मस्थं सुगलं रक्तवाससं । सर्वरक्ताभरणं ध्यात्वा हस्ताभ्यां पुष्पं विधृतसंघ्रायैशान्यां क्षिपेत्
dvibhujaṃ raktapadmasthaṃ sugalaṃ raktavāsasaṃ | sarvaraktābharaṇaṃ dhyātvā hastābhyāṃ puṣpaṃ vidhṛtasaṃghrāyaiśānyāṃ kṣipet
เมื่อเพ่งฌานถึงเทวะผู้มีสองกร ประทับบนปัทมะแดง งดงามด้วยอวัยวะ สวมอาภรณ์แดง และประดับเครื่องประดับแดงทั้งสิ้นแล้ว จงถือดอกไม้ด้วยสองมือ สูดกลิ่นถวาย และโปรยไปยังทิศอีศาน (ตะวันออกเฉียงเหนือ)
Unspecified (ritual instruction within the narration)
Concept: Dhyāna (visualization) and precise offering gestures transform a simple flower into a consecrated act, aligning the worshipper with the deity’s form and directionality.
Application: Before any prayer, pause to visualize the deity’s form and qualities; make one offering with full attention (smell the flower, then offer) to train single-pointed devotion.
Primary Rasa: adbhuta
Secondary Rasa: shringara
Visual Art Cues: {"scene_description":"A vivid iconographic vision of Sūrya: two-armed, seated upon a fully bloomed red lotus, every ornament and garment glowing in shades of red like dawn condensed into form. In the foreground, the devotee holds a fragrant flower with both hands, inhales its scent as a final consecration, then casts it toward the north-east where a subtle beam of light receives it.","primary_figures":["Sūrya (two-armed form)","a devotee/priest"],"setting":"Ritual chamber with a floor mandala; the north-east corner marked by a small lamp and a clean altar niche.","lighting_mood":"divine radiance","color_palette":["crimson","scarlet","rose red","molten gold","ivory"],"tanjore_prompt":"Tanjore painting style: Sūrya two-armed on a red lotus throne, fully red garments and red jeweled ornaments; thick gold leaf outlining the lotus petals and halo; devotee offering a flower in both hands; ornate arch (prabhāmaṇḍala) with gem-studded motifs, rich reds with green accents and gold embossing.","pahari_prompt":"Pahari miniature style: refined Sūrya seated on a red lotus with delicate shading; devotee in profile smelling a flower; north-east corner indicated by a small lamp and architectural cue; soft dawn palette, fine textile patterns, lyrical minimalism with precise gesture depiction.","kerala_mural_prompt":"Kerala mural style: bold outlines, flat crimson fields for garments and ornaments; lotus rendered with rhythmic petal geometry; devotee’s offering gesture emphasized; strong yellow halo and red dominance, temple-wall framing bands and stylized corner lamp for Īśāna direction.","pichwai_prompt":"Pichwai cloth painting style: central red lotus medallion with Sūrya seated; surrounding floral borders and lotus vines; devotee at lower edge offering a flower; deep blue background with gold highlights, intricate repetitive motifs emphasizing the ‘all-red’ iconography."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["temple bells","flower rustle","soft conch shell","tanpura drone","lamp flame"]}
Sandhi Resolution Notes: विधृतसंघ्रायैशान्यां = विधृत + संघ्राय + ऐशान्याम् (IAST: vidhṛtasaṃghrāyaiśānyāṃ).
FAQs
In many Hindu ritual systems, the north-east (Īśāna) is treated as especially auspicious and associated with purity and divine presence; casting the flower there functions as a directional offering aligned with that sacred orientation.
The verse emphasizes visualization (dhyāna) of a deity with specific iconographic markers—two arms, red lotus seat, red garments, red ornaments—followed by a simple, reverential offering using a flower.
It highlights disciplined attentiveness in worship: first steady the mind through clear contemplation, then perform the offering with deliberate, respectful gestures rather than hurried or careless action.