Shloka 51
The Marks of Merit and the Destinies of Beings
Divine vs Demonic Traits
भक्ष्याभक्ष्यं समश्नंति मत्स्यमांसादिकं नराः । वने द्विजातयश्चान्ये भुंजते चानुपापकम्
bhakṣyābhakṣyaṃ samaśnaṃti matsyamāṃsādikaṃ narāḥ | vane dvijātayaścānye bhuṃjate cānupāpakam
ผู้คนกินทั้งของควรกินและไม่ควรกินอย่างไม่เลือก—ทั้งปลา เนื้อ และสิ่งอื่น ๆ แต่ยังมีพราหมณ์ผู้เกิดสองครั้งบางพวกที่อยู่ในป่า ซึ่งบริโภคเพียงอาหารอันปราศจากบาปเท่านั้น
Unspecified (narrative voice; likely within a dialogue context of the Adhyaya)
Concept: Viveka (discernment) in diet and conduct distinguishes dharmic living; restraint reduces pāpa.
Application: Practice mindful eating: avoid harmful or ethically compromised food; adopt periodic sāttvika meals/fasts; simplify consumption to reduce agitation and cultivate japa/pujā consistency.
Primary Rasa: bibhatsa
Secondary Rasa: karuna
Type: forest
Visual Art Cues: {"scene_description":"A split-scene moral tableau: in the foreground, townspeople feast indiscriminately on fish and meat amid noisy markets; in the background, serene forest-dwelling twice-born ascetics gather fallen fruits and roots, cooking a simple meal without harm. The contrast is emphasized by the calm gaze of the forest sages and the restless, smoky bustle of the town.","primary_figures":["forest-dwelling dvijas (vānaprasthas/ṛṣis)","townspeople","optional: a silent Vishnu emblem (śaṅkha-cakra) as moral witness"],"setting":"Edge of a forest near a village market; leaf-huts, sacred fire, baskets of fruits and tubers; distant cooking stalls with fish/meat.","lighting_mood":"forest dappled","color_palette":["earthy ochre","leaf green","smoke gray","saffron cloth","deep indigo shadows"],"tanjore_prompt":"Tanjore painting style: a moral contrast panel—left side bustling market with platters of fish and meat, right side tranquil forest āśrama with dvija sages in saffron/white, small sacred fire and baskets of fruits; ornate borders, gold leaf highlighting the sages’ halos and the sacred fire, rich reds and greens, gem-studded ornaments kept minimal to preserve ascetic mood.","pahari_prompt":"Pahari miniature style: lyrical forest clearing with delicate trees and birds, sages collecting fruits and roots, a distant village scene with crowded eaters; cool greens and blues, refined faces, gentle narrative contrast, Himalayan-like rolling hills in the background.","kerala_mural_prompt":"Kerala mural style: bold outlines—two groups contrasted; forest sages with large expressive eyes near a stylized agni-kunda, village eaters with exaggerated gestures; natural pigment palette dominated by greens, reds, and yellows; temple-wall compositional symmetry.","pichwai_prompt":"Pichwai cloth painting style: central Tulasi-like floral border motifs framing a didactic scene—forest sāttvika meal near lotus pond, distant town indulgence; intricate vines, peacocks in the forest, deep blues and gold accents, devotional undertone with subtle śaṅkha-cakra motifs."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["forest birds","crackling sacred fire","distant market murmur","soft temple bell"]}
Sandhi Resolution Notes: भक्ष्याभक्ष्यं = भक्ष्य + अभक्ष्यम् (द्वन्द्व, sandhi); मत्स्यमांसादिकं = मत्स्य + मांस + आदिकम्; द्विजातयश्चान्ये = द्विजातयः + च + अन्ये; चानुपापकम् = च + अनुपापकम्.
FAQs
It contrasts those who eat without discernment—treating permissible and forbidden foods alike—with disciplined practitioners who choose foods considered free from sin.
“Dvijātayaḥ” refers to the “twice-born” social orders (Brāhmaṇa, Kṣatriya, Vaiśya), traditionally associated with Vedic initiation and stricter norms of conduct.
The verse underscores discernment and restraint: ethical living involves conscious choices—especially regarding consumption—rather than indiscriminate indulgence.