Shloka 61
Expansion of Creation through Dakṣa and Kaśyapa: Devas, Dānavas, Nāgas, Birds, and Cosmic Offices
संह्लादस्य तु दैत्यस्य निवातकवचाः कुले । अवध्याः सर्वदेवानां गंधर्वोरगराक्षसाम्
saṃhlādasya tu daityasya nivātakavacāḥ kule | avadhyāḥ sarvadevānāṃ gaṃdharvoragarākṣasām
ในวงศ์ของไทตยะสํหลาทะ ได้บังเกิดนิวาตกวจะ—ผู้มิอาจถูกพิฆาตโดยเหล่าเทวะทั้งปวง รวมทั้งคันธรรพะ นาคะ และรากษสะ
Unspecified narrator (Paurāṇic narration within Sṛṣṭikhaṇḍa)
Concept: Apparent invulnerability is not ultimate; adharma may seem unconquerable until the right instrument of dharma arises.
Application: When facing entrenched problems, don’t mistake difficulty for impossibility; seek the ‘right means’—discipline, counsel, and devotion.
Primary Rasa: bhayanaka
Secondary Rasa: adbhuta
Type: celestial_realm
Visual Art Cues: {"scene_description":"From the shadowed depths of a cavernous nether-sky, the Nivātakavacas emerge in ranks—armored as if their mail is made of night itself. Above, devas and gandharvas recoil, their luminous forms contrasted against the daityas’ dark, sealed ‘hidden armor.’","primary_figures":["Nivātakavacas","Saṁhlāda (ancestral presence)","Devas","Gandharvas","Nāgas (as witnesses)"],"setting":"A liminal battlefield between heaven and a subterranean vault—stalactites below, starry firmament above.","lighting_mood":"moonlit with ominous eclipse-shadow","color_palette":["obsidian black","steel blue","pale moon silver","blood red accents","aura gold"],"tanjore_prompt":"Tanjore painting style: a dramatic tableau of dark-armored Nivātakavacas advancing; devas with gold-leaf halos retreating; embossed gold on divine weapons and crowns, deep maroon and emerald textiles, ornate border with protective motifs; high-contrast chiaroscuro within traditional iconographic symmetry.","pahari_prompt":"Pahari miniature style: delicate, atmospheric battle scene with cool blues; the daityas rendered as dense silhouettes with fine armor patterning; devas painted in luminous pastels; misty clouds and a crescent moon, refined faces and elegant gestures.","kerala_mural_prompt":"Kerala mural style: bold outlines; daityas in dark green/black with patterned armor; devas in bright yellow-red with large eyes; rhythmic composition like a temple frieze, ornamental borders and stylized weapons.","pichwai_prompt":"Pichwai cloth painting style: a central eclipse-moon medallion; below it, a procession of dark daitya figures; above, a band of devas with lotus garlands; intricate floral borders, deep indigo ground, gold highlights to emphasize divine radiance."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["war drums","conch shell","thunder rumble","metallic clash","chanting chorus"]}
Sandhi Resolution Notes: गंधर्वोरगराक्षसाम् = गन्धर्व + उरग + राक्षसाम् (समुच्चयार्थे पद-समाहारः; लिखितरूपे संधिः)
FAQs
They are a group/class of Asuras described here as born in Saṁhlāda’s lineage and characterized by being exceptionally hard to defeat—“avadhyāḥ,” invulnerable to many divine and semi-divine beings.
It highlights the extraordinary power and near-invincibility attributed to a particular Asura lineage, a common Purāṇic motif used to frame later conflicts and the need for higher divine intervention or special means to overcome them.
Purāṇic narratives often use “invulnerability” to show that mere power is not the final authority; it sets up the idea that pride, adharma, or boons have limits, and that dharma ultimately prevails through a higher principle than brute strength.