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Shloka 14

The Account of Women

Householder Ethics, Fault, Merit, and Govinda-Nāma as Purification

स्वभावान्नारदो विप्र विश्वजिज्ञासको मुनिः । स्वांते विमृश्याथ गतः कैलासं गिरिमुत्तमम्

svabhāvānnārado vipra viśvajijñāsako muniḥ | svāṃte vimṛśyātha gataḥ kailāsaṃ girimuttamam

โอ้พราหมณ์ นารท—โดยสันดานเป็นฤๅษีผู้ใคร่รู้ทั่วทั้งโลก—ได้ใคร่ครวญในดวงใจแล้ว จึงออกเดินทางสู่ไกรลาส ภูผาอันประเสริฐยิ่ง

स्वभावात्by nature
स्वभावात्:
Hetu/Apadana (हेतु/अपादान)
TypeNoun
Rootस्वभाव (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी-विभक्ति (अपादान), एकवचन; हेतौ ‘स्वभावात्’ = by nature
नारदःNārada
नारदः:
Karta (कर्ता)
TypeNoun
Rootनारद (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
विप्रO brāhmaṇa
विप्र:
Sambodhana (सम्बोधन)
TypeNoun
Rootविप्र (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन-प्रथमा, एकवचन
विश्व-जिज्ञासकःeager to know everything
विश्व-जिज्ञासकः:
Visheshana (विशेषण)
TypeAdjective
Rootविश्व (प्रातिपदिक) + जिज्ञासक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; षष्ठी/कर्मधारयार्थ-तत्पुरुषः (विश्वं जिज्ञासति इति)
मुनिःthe sage
मुनिः:
Karta (कर्ता)
TypeNoun
Rootमुनि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
स्वान्तेin his own mind
स्वान्ते:
Adhikarana (अधिकरण)
TypeNoun
Rootस्वान्त (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति (अधिकरण), एकवचन; ‘स्वान्त’ = own mind/heart
विमृश्यhaving reflected
विमृश्य:
Purvakala-kriya (पूर्वकाल-क्रिया)
TypeVerb
Rootवि+मृश् (धातु)
Formक्त्वान्त-अव्ययकृदन्त (Gerund/त्वा-प्रत्यय), ‘having reflected/considered’
अथthen
अथ:
Sambandha (सम्बन्ध/अनुक्रम)
TypeIndeclinable
Rootअथ (अव्यय)
Formअव्यय (particle) = then/thereupon
गतःwent/has gone
गतः:
Kriyā (क्रिया)
TypeVerb
Rootगम् (धातु)
Formक्त-प्रत्ययान्त कृदन्त (past participle), पुंलिङ्ग, प्रथमा, एकवचन; कर्तरि प्रयोगः
कैलासम्to Kailāsa
कैलासम्:
Karma (कर्म)
TypeNoun
Rootकैलास (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; गमनस्य कर्म/गन्तव्य
गिरिम्mountain
गिरिम्:
Karma (कर्म)
TypeNoun
Rootगिरि (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; ‘कैलासम्’ इत्यस्य विशेष्य/समनाधिकरण
उत्तमम्excellent/supreme
उत्तमम्:
Visheshana (विशेषण)
TypeAdjective
Rootउत्तम (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; विशेषणम् (गिरिम्)

Narrator (Purāṇic narrator describing Nārada)

Concept: True inquiry begins with inner reflection and then becomes a sacred journey toward the source of wisdom.

Application: Before seeking answers externally, pause for svānta-vimarśa (honest self-review), then approach a worthy place/teacher with humility and purpose.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: mountain

Visual Art Cues: {"scene_description":"Nārada, veena slung across his shoulder, pauses in a moment of inward contemplation; then he strides toward the snow-bright Kailāsa whose peaks pierce a sky washed clean by thin Himalayan air. Prayer-flags and distant yak caravans hint at the long ascent, while unseen devas seem to guide his path.","primary_figures":["Nārada","(distant) Śiva","(distant) Pārvatī"],"setting":"Himalayan approach trail with pine and rhododendron giving way to icy ridgelines; Kailāsa looming like a sacred crystal mountain.","lighting_mood":"golden dawn","color_palette":["snow white","sapphire blue","smoky pine green","sunrise gold","ash-grey stone"],"tanjore_prompt":"Tanjore painting style: Nārada with veena and matted locks stands in three-quarter profile, one hand raised in contemplative mudrā, Kailāsa rendered as a stylized sacred peak behind him; heavy gold leaf halo around Nārada, ornate borders with lotus and conch motifs, rich vermilion and emerald accents, gem-studded ornaments and crisp South Indian iconographic detailing.","pahari_prompt":"Pahari miniature style: slender Nārada walking along a winding Himalayan path, delicate linework and soft washes; cool blues and whites for distant peaks, tiny alpine flowers in the foreground, lyrical clouds hugging Kailāsa, refined facial features and gentle narrative naturalism.","kerala_mural_prompt":"Kerala mural style: bold black outlines, Nārada in warm ochres and reds with stylized veena, Kailāsa as a patterned white-blue mountain; temple-wall composition with rhythmic curves, characteristic large eyes, limited but saturated palette and ornamental foliage bands.","pichwai_prompt":"Pichwai cloth painting style: devotional landscape with lotus borders and intricate floral vines; Nārada as a wandering bhakta-musician moving toward a stylized sacred mountain; deep indigo sky with gold highlights, peacocks and cows as auspicious motifs, ornate frame reminiscent of Nathdwara textile aesthetics."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["wind over high passes","distant temple bells","soft tanpura drone","footsteps on gravel","conch shell (faint)"]}

Sandhi Resolution Notes: स्वभावान्नारदः = स्वभावात् + नारदः (त् + न → न्न); विमृश्याथ = विमृश्य + अथ; गिरिमुत्तमम् = गिरिम् + उत्तमम् (म् + उ → मु).

N
Nārada
K
Kailāsa

FAQs

It portrays Nārada as inherently driven by viśvajijñāsā—an impulse to understand the world/universe—acting thoughtfully rather than impulsively.

Kailāsa is repeatedly treated as a supreme sacred mountain and a major divine abode, making it a natural destination for sages seeking higher knowledge.

The verse models inward reflection (vimṛśya) before action—seeking clarity in the heart/mind prior to undertaking a purposeful journey.