Shloka 81
Brahmin Right Conduct: Morning Remembrance, Bathing, Purification, and Tarpaṇa Method
अग्निना लोहपात्रं तु पाकप्रक्षालनेन तु । खननाद्दाहनाच्चैव उपलेपन धावनात्
agninā lohapātraṃ tu pākaprakṣālanena tu | khananāddāhanāccaiva upalepana dhāvanāt
ภาชนะเหล็กย่อมชำระด้วยไฟ; อีกทั้งชำระได้ด้วยการล้างหลังการปรุงอาหาร. ยังชำระได้ด้วยการขุดขึ้นมา ด้วยการเผา และด้วยการทาเคลือบชำระแล้วล้างอีกครั้ง
Not specified in the provided excerpt (context needed from surrounding verses).
Concept: Agni and transformative processes (burning, washing after cooking, smearing and washing) restore purity—purification can be rigorous, not merely cosmetic.
Application: For iron cookware/ritual items: heat to sterilize, scrub after use, remove contamination by thorough cleaning; when needed, recondition surfaces (smearing/coating) and wash again—apply the principle of ‘deep cleaning’ to habits and speech too.
Primary Rasa: shanta
Secondary Rasa: vira
Visual Art Cues: {"scene_description":"An iron vessel is held near a controlled sacred flame, its dark surface turning clean and luminous as heat drives away impurity. Nearby, a devotee scrubs the vessel after cooking, then applies a thin purifying smear (a clean coating) and rinses again, showing layered, methodical restoration.","primary_figures":["Ritual attendant","Agni (symbolic flame presence)"],"setting":"Temple kitchen (pākaśālā) or yajña preparation area with hearth, ash bed, water pot, and cleaning cloths","lighting_mood":"divine radiance","color_palette":["fire orange","charcoal black","ash white","copper red","smoke gray"],"tanjore_prompt":"Tanjore painting style: sacred hearth with stylized Agni flame; attendant purifying an iron vessel by fire, then washing and re-coating; gold leaf highlights on flame and utensils, rich red-green background textiles, ornate temple-kitchen architecture, jewel-like detailing.","pahari_prompt":"Pahari miniature style: intimate hearth scene with delicate smoke curls; iron pot warmed over flame, attendant washing it after cooking; subtle gradients, cool shadows against warm firelight, refined figures and gentle domestic-sacred realism.","kerala_mural_prompt":"Kerala mural style: bold outlines; large stylized flame, attendant holding iron vessel; flat natural pigments with strong reds and yellows, rhythmic composition like a temple wall panel.","pichwai_prompt":"Pichwai cloth painting style: devotional kitchen-service to Kṛṣṇa—attendants near a hearth, vessels arranged in decorative symmetry; lotus borders, deep blue ground, gold accents, peacock-feather motifs subtly framing the flame as sacred."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["crackling fire","metal warming ping","water splash","soft chanting undercurrent"]}
Sandhi Resolution Notes: दाहनाच्चैव = दाहनात् + च + एव; (पाठे) उपलेपन धावनात् = उपलेपनात् + धावनात् (समास/सन्धिविच्छेदेन)
FAQs
It outlines traditional methods of purification (śauca) for an iron vessel—especially using fire and washing—reflecting dharmaśāstra-style cleanliness rules.
Because heating is considered an effective purifier for metal, removing contamination in a direct and decisive way compared to gentler methods used for other materials.
Indirectly: it is primarily a practical dharma/śauca instruction rather than a devotional teaching, but it supports the broader Purāṇic ideal of purity as a foundation for worship and ritual conduct.