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Shloka 99

Right Conduct, Offenses Against Brāhmaṇas, Truthfulness, and the Greatness of the Cow

Go-Māhātmya

अश्वमेधसहस्राद्धि सत्यमेव विशिष्यते । यो वदेत्सर्वकार्येषु सत्यं मिथ्या परित्यजेत्

aśvamedhasahasrāddhi satyameva viśiṣyate | yo vadetsarvakāryeṣu satyaṃ mithyā parityajet

สัจจะย่อมประเสริฐยิ่งกว่าการบูชาอัศวเมธพันครั้ง ผู้ใดพึงกล่าวความจริงในกิจทั้งปวง และละทิ้งความเท็จเสีย

aśvamedha-sahasrātfrom a thousand Aśvamedhas
aśvamedha-sahasrāt:
Apādāna (अपादान)
TypeNoun
Rootaśvamedha (अश्वमेध) + sahasra (सहस्र) (प्रातिपदिक)
Formषष्ठी-तत्पुरुष (‘अश्वमेधानां सहस्रम्’); नपुंसकलिङ्ग, पञ्चमी (5th/पञ्चमी), एकवचन (singular)
hiindeed
hi:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roothi (हि) (अव्यय-प्रातिपदिक)
Formअव्यय, निपात (indeed/for)
satyamtruth
satyam:
Karta (कर्ता)
TypeNoun
Rootsatya (सत्य) (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा, एकवचन
evaalone/indeed
eva:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rooteva (एव) (अव्यय-प्रातिपदिक)
Formअव्यय, अवधारण-निपात (only/indeed)
viśiṣyateexcels
viśiṣyate:
Kriyā (क्रिया)
TypeVerb
Root√śiṣ (शिष्) उपसर्गः vi- (धातु)
Formलट्, प्रथमपुरुष, एकवचन, आत्मनेपद
yaḥwho (he who)
yaḥ:
Karta (कर्ता)
TypeNoun
Rootyad (यद्) (सर्वनाम-प्रातिपदिक)
Formसर्वनाम (pronoun); पुल्लिङ्ग, प्रथमा, एकवचन
vadetshould speak
vadet:
Kriyā (क्रिया)
TypeVerb
Root√vad (वद्) (धातु)
Formविधिलिङ् (Optative/विधिलिङ्), प्रथमपुरुष, एकवचन, परस्मैपद; अर्थः—‘वदेत्’ (should speak)
sarva-kāryeṣuin all actions
sarva-kāryeṣu:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootsarva (सर्व) + kārya (कार्य) (प्रातिपदिक)
Formकर्मधारय (descriptive: ‘सर्वाणि कार्याणि’); नपुंसकलिङ्ग, सप्तमी, बहुवचन
satyamtruth
satyam:
Karma (कर्म)
TypeNoun
Rootsatya (सत्य) (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन
mithyāfalsehood/falsely
mithyā:
Karma (कर्म)
TypeIndeclinable
Rootmithyā (मिथ्या) (अव्यय-प्रातिपदिक)
Formअव्यय, क्रियाविशेषण (adverb) ‘falsely/falsehood’
parityajetshould abandon
parityajet:
Kriyā (क्रिया)
TypeVerb
Root√tyaj (त्यज्) उपसर्गः pari- (धातु)
Formविधिलिङ्, प्रथमपुरुष, एकवचन, परस्मैपद; अर्थः—‘परित्यजेत्’ (should abandon)

Not explicitly stated in the provided excerpt (context needed from Adhyaya 48 framing dialogue).

Concept: Satya (truthfulness) is superior to ritual magnitude; truthful speech in all affairs is itself the highest yajña.

Application: Adopt a ‘truth-first’ discipline: speak accurately, avoid exaggeration in business/family matters, and treat honesty as daily worship; when truth is difficult, choose silence over falsehood.

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A serene sage sits beside a small fire-altar, while in the distance a grand aśvamedha procession fades like a mirage—suggesting that inner truth outshines imperial ritual. Above, a subtle lotus-emblem radiance hints at Nārāyaṇa’s approval, as the sage’s spoken words appear as luminous syllables dissolving darkness.","primary_figures":["a contemplative ṛṣi","symbolic horse-sacrifice procession (distant)","subtle presence of Nārāyaṇa as aura/lotus-sign"],"setting":"Forest hermitage with a modest yajña-kuṇḍa; distant royal sacrificial ground suggested on the horizon","lighting_mood":"golden dawn","color_palette":["saffron ochre","smoke-gray","lotus pink","deep indigo","gold leaf"],"tanjore_prompt":"Tanjore painting style: a seated sage before a small homa-kuṇḍa, right hand raised in upadeśa-mudrā; behind him a faint aśvamedha horse and royal parasols rendered as secondary vignette; Vishnu’s lotus-emblem halo in the upper register, heavy gold leaf embellishment on the halo and ornaments, rich vermilion and emerald borders, gem-studded detailing, traditional South Indian iconographic symmetry.","pahari_prompt":"Pahari miniature style: a quiet āśrama scene with delicate linework; the sage speaks ‘satya’ as tiny golden akṣaras floating; distant hills show a miniature aśvamedha camp; cool blues and soft greens, refined faces, lyrical trees and a pale dawn sky over Himalayan-like ridges.","kerala_mural_prompt":"Kerala mural style: bold black outlines and warm natural pigments; the sage and homa fire central, stylized lotus aura above indicating Nārāyaṇa’s sanction; strong red/yellow/green palette, temple-wall aesthetic, large expressive eyes, patterned borders with mantra-like motifs.","pichwai_prompt":"Pichwai cloth painting style: central lotus medallion with a subtle Vishnu-symbol; surrounding border of tulasi and lotus motifs; narrative panels show truthfulness outweighing aśvamedha—horse and yajña paraphernalia rendered as decorative vignettes; deep blues, gold highlights, intricate floral borders, Nathdwara-inspired ornamentation."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["soft temple bell","gentle fire-crackle","morning birds","brief silence between pādas"]}

Sandhi Resolution Notes: aśvamedhasahasrāt+hi→aśvamedhasahasrāddhi (द् + हि); satyam+eva→satyameva; vadet+sarvakāryeṣu→vadetsarvakāryeṣu.

FAQs

Yes. It explicitly states that truthfulness (satya) is superior even to performing a thousand Aśvamedha sacrifices, elevating moral integrity over ritual merit.

It prescribes speaking truthfully in all affairs (sarva-kāryeṣu satyam) and renouncing falsehood (mithyā parityajet).

Truth is a supreme dharma: consistent truthfulness is portrayed as one of the highest virtues and a greater spiritual good than grand ceremonial acts.