Shloka 156
Slaying of Andhaka; Hymn to the Sun; Glory of Brahmins; Gayatri Nyasa and Pranayama
सर्वपापाद्विनिर्मुक्तो जन्मकोटिकृतादपि । ब्रह्मणः पदवीं प्राप्य स गच्छेत्प्रकृतेः परम्
sarvapāpādvinirmukto janmakoṭikṛtādapi | brahmaṇaḥ padavīṃ prāpya sa gacchetprakṛteḥ param
เขาพ้นจากบาปทั้งปวง แม้บาปที่สั่งสมมานับโกฏิกำเนิด; ครั้นบรรลุฐานะแห่งพรหมาแล้ว ย่อมก้าวล่วงพ้นปรกฤติ (ธรรมชาติวัตถุ)
Unspecified in the provided excerpt (context needed from Adhyaya 46 narration frame).
Concept: Mantra-yoga purification can erase even beginningless karmic accumulation and lead beyond material nature; attainment of exalted cosmic status is still a step before final transcendence.
Application: Treat spiritual practice as cumulative and transformative: steady daily discipline can reverse long-standing habits; do not mistake worldly or even ‘heavenly’ attainments for the final goal—aim for guṇa-transcendence and devotion.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: celestial_realm
Visual Art Cues: {"scene_description":"A luminous soul rises through layered cosmic spheres: from a dark band of karmic smoke into a radiant lotus-city of Brahmaloka where Brahmā sits on a white lotus. Beyond that realm, the scene opens into a formless, starless expanse of pure light—symbolizing ‘prakṛteḥ param’—with the traveler dissolving into serenity.","primary_figures":["a liberated aspirant (subtle body)","Brahmā on the lotus","celestial attendants (gandharvas, sages)"],"setting":"multi-tiered cosmos: lower haze of saṁsāra, Brahmaloka lotus-palace, then transcendental void-light beyond","lighting_mood":"divine radiance","color_palette":["milk white","radiant gold","cosmic violet","opal blue","smokeless silver"],"tanjore_prompt":"Tanjore painting style: Brahmā seated on a grand lotus with heavy gold-leaf halo, embossed celestial architecture; the aspirant depicted ascending on a gold spiral path, sins as dark enamel clouds below; beyond Brahmaloka a shimmering gold field indicating transcendence, ornate borders and jewel-like detailing.","pahari_prompt":"Pahari miniature style: layered skies with delicate gradations, Brahmaloka as a refined lotus pavilion, tiny sages in attendance; the aspirant as a small glowing figure moving upward into a pale, almost blank luminous space; cool blues and soft golds with fine brushwork.","kerala_mural_prompt":"Kerala mural style: bold outlines, Brahmā with characteristic eyes and crown on a lotus, cosmic layers rendered as patterned bands; the ‘beyond prakṛti’ shown as a clean luminous panel with minimal motifs, natural pigments and temple-wall composition.","pichwai_prompt":"Pichwai cloth painting style: concentric lotus mandala representing lokas, central Brahmā on lotus, outer ring dissolving into pure gold space; intricate floral borders, deep blue-to-gold gradient, symbolic rather than literal, devotional geometry."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["conch shell swell","tanpura drone","temple bells (crescendo then fade)","wind-like whoosh","deep silence at the end"]}
Sandhi Resolution Notes: sarvapāpādvinirmukto → sarva-pāpāt + vinirmuktaḥ; janmakoṭikṛtādapi → janma-koṭi-kṛtāt + api; gacchetprakṛteḥ → gacchet + prakṛteḥ.
FAQs
It describes complete purification from all sins, attainment of Brahmā’s status (brahmaṇaḥ padavī), and ultimately transcendence beyond Prakṛti—i.e., liberation beyond material nature.
Yes. It explicitly places “Brahmā’s rank” as an intermediate attainment and then states going “beyond Prakṛti,” implying a liberation that surpasses even exalted worldly/cosmic offices.
The verse emphasizes the transformative power of spiritual practice and inner purification: even immense accumulated wrongdoing can be overcome, leading toward higher realization and ultimate transcendence.