Shloka 125
The Tārakāmaya War: Divine Mustering, Māyā Countermeasures, Aurva Fire, and Viṣṇu’s Slaying of Kālanemi
त्वं मतः प्रतिवीर्यश्च ज्योतिषामपि चेश्वरः । त्वन्मयान्सर्वलोकेषु रसान्वेदविदो विदुः
tvaṃ mataḥ prativīryaśca jyotiṣāmapi ceśvaraḥ | tvanmayānsarvalokeṣu rasānvedavido viduḥ
ท่านทรงเป็นพลังต้านทานอันสมดุล และเป็นเจ้าเหนือหมู่ดวงสว่างทั้งปวง เหล่าผู้รู้พระเวททราบว่า ในทุกโลก รสทั้งหลายซึมซาบด้วยท่าน และเป็นไปตามสภาวะของท่านเอง
Unspecified (context not provided; likely a speaker praising a supreme deity in dialogue)
Concept: The praised lord is the inner essence of all ‘rasas’ across worlds and the ruler even of luminaries—implying pervasive divinity recognized by Veda-knowers.
Application: See sacred presence in every experience—beauty, taste, emotion—using gratitude and restraint; let daily perceptions become remembrance (smaraṇa).
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A vast cosmic tableau: the Moon, Sun, and constellations orbit within a translucent mandala, while an unseen supreme presence permeates them like luminous nectar. Veda-knowing sages stand at the edge of the universe, hands raised in recognition that every rasa—sweetness, fragrance, emotion—shimmers as the Lord’s own nature.","primary_figures":["Supreme Lord as all-pervading radiance (Vishnu implied)","Soma (Moon)","Sūrya (Sun)","Veda-knowing sages (ṛṣis)"],"setting":"Cosmic expanse with a mandala of luminaries and subtle lotus geometry","lighting_mood":"divine radiance","color_palette":["radiant gold","cosmic violet","midnight blue","moonstone white","saffron"],"tanjore_prompt":"Tanjore painting style: Vishnu implied as a central radiant aura within a lotus-mandala, surrounded by Sun and Moon personified, sages at the base offering reverence; heavy gold leaf for the mandala and halos, rich reds/greens for garments, gem-like ornamentation, ornate arch with lotus and conch motifs, devotional iconographic symmetry.","pahari_prompt":"Pahari miniature style: a serene cosmic mandala with delicate stars, personified Sun and Moon, sages in quiet awe; cool blues and violets with soft gold highlights, refined faces, lyrical composition with subtle lotus geometry and airy space.","kerala_mural_prompt":"Kerala mural style: bold outlines forming a circular cosmic diagram, Sun and Moon with stylized eyes, central all-pervading radiance as Vishnu’s presence; natural pigments with dominant yellows/reds/greens balanced by deep blue, temple mural framing and ornamental borders.","pichwai_prompt":"Pichwai cloth painting style: central lotus-mandala with repeating floral motifs, Sun and Moon as decorative yet sacred figures, sages along the lower register; deep indigo cloth ground, intricate gold detailing, ornate floral borders, devotional symmetry reminiscent of Nathdwara aesthetics (even if Vishnu is implied rather than Krishna)."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft temple bells","long silence gaps","tanpura drone","distant conch"]}
Sandhi Resolution Notes: ज्योतिषामपि = ज्योतिषाम् + अपि; चेश्वरः = च + ईश्वरः; त्वन्मयान्सर्वलोकेषु = त्वन्मयान् + सर्वलोकेषु; रसान्वेदविदो = रसान् + वेदविदः.
FAQs
It portrays the praised deity as the governing lord of the celestial lights and as the underlying power present throughout all worlds.
It expresses immanence: all fundamental essences—whether physical “juices” or subtle “flavors/qualities”—are understood as pervaded by, and ultimately grounded in, the divine.
It appeals to Vedic authority, stating that those trained in Vedic insight recognize this all-pervading divine nature as a doctrinal truth.