Shloka 14090
Brahmā’s Lotus-Birth, Puṣkara-Creation Imagery, Madhu–Kaiṭabha, and Early Genealogies
धरं वै प्रथमं देवं द्वितीयं ध्रुवमव्ययम् । विश्वावसुं तृतीयं च चतुर्थं सोममीश्वरं
dharaṃ vai prathamaṃ devaṃ dvitīyaṃ dhruvamavyayam | viśvāvasuṃ tṛtīyaṃ ca caturthaṃ somamīśvaraṃ
องค์แรกคือเทวะธระ; องค์ที่สองคือธรุวะผู้ไม่เสื่อมสลาย; องค์ที่สามคือวิศวาวสุ; และองค์ที่สี่คือโสมะ พระอีศวร
Unspecified (verse presented without surrounding dialogue context)
Concept: The cosmos rests on stable principles—steadfastness (dhruvatā) is a spiritual virtue; the ‘imperishable’ points beyond transient change to the Lord’s sustaining reality.
Application: Choose one daily anchor—japa, ekādaśī discipline, or a fixed prayer time—and keep it immovable like Dhruva amid life’s changes.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: celestial_realm
Visual Art Cues: {"scene_description":"A cosmic axis rises like a crystal pillar through starry space: Dhara stands at its base as the supporter, while Dhruva shines above as an unmoving star-throne. Viśvāvasu, a celestial musician, hovers with a vīṇā, and Soma appears as a cool, moon-crowned lord bathing the scene in silver calm.","primary_figures":["Dhara","Dhruva","Viśvāvasu","Soma"],"setting":"interstellar vista with a luminous axis-pillar and a moonlit cloud dais","lighting_mood":"moonlit","color_palette":["silver","ice blue","midnight indigo","soft white","pale gold"],"tanjore_prompt":"Tanjore painting style: Dhruva enthroned on a star-lotus with a heavy gold leaf halo; Dhara as a regal supporter figure at the base of a jeweled pillar; Soma with crescent crown and cool aura; Viśvāvasu as a richly ornamented gandharva with vīṇā; ornate arches, rich reds/greens, gold leaf constellations.","pahari_prompt":"Pahari miniature style: serene night sky with delicate stars; Dhruva as a bright fixed point on a lotus seat; Soma’s cool glow washing the clouds; Viśvāvasu rendered with lyrical grace holding a vīṇā; refined faces, cool palette, gentle gradients and airy composition.","kerala_mural_prompt":"Kerala mural style: bold outlines; Dhruva as a central star medallion; Soma with crescent and stylized ornaments; Dhara in grounded posture; Viśvāvasu with vīṇā; deep blue background, red/yellow/green pigments, patterned borders like temple murals.","pichwai_prompt":"Pichwai cloth painting style: central lotus mandala with Dhruva as a radiant star at the heart; Soma as a silver moon above; floral constellations around; peacocks in the border; deep indigo cloth with gold and white detailing, intricate lotus vines and symmetrical layout."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"serene","sound_elements":["tanpura drone","soft flute","night insects (subtle)","long pauses","gentle bell"]}
Sandhi Resolution Notes: ध्रुवमव्ययम् = ध्रुवम् + अव्ययम्; सोममीश्वरम् = सोमम् + ईश्वरम्; विश्वावसुम् = विश्व + वसु (समास)
FAQs
They are presented as a sequential list of exalted beings: Dhara and Dhruva as revered divine names (with Dhruva explicitly called imperishable), Viśvāvasu as a well-known Gandharva name in Purāṇic lore, and Soma as the Moon-deity addressed as Īśvara (Lord).
Dhruva is traditionally associated with fixity and permanence (the “steady” one, linked with the pole star in later narrative contexts). Calling him avyaya underscores his unchanging, enduring status within the cosmological order.
The verse reads like a catalog/listing verse—common in the Sṛṣṭikhaṇḍa’s encyclopedic style—where beings are enumerated in order, often as part of a broader cosmological or genealogical description.