Shloka 7
The Supremacy of Food-Charity and the Rāma–Śambūka Episode
Child Revived through Rājadharma
शतक्रतुरिति प्रोक्तः सर्वैरेव द्विजोत्तमैः । तेनावस्थां तत्सदृशीं प्राप्तवांस्त्रिदशेश्वरः
śatakraturiti proktaḥ sarvaireva dvijottamaiḥ | tenāvasthāṃ tatsadṛśīṃ prāptavāṃstridaśeśvaraḥ
พราหมณ์ผู้ประเสริฐทั้งปวงเรียกท่านว่า “ศตกรตุ” และด้วย (นาม/บุญ) นั้นเอง พระผู้เป็นใหญ่แห่งไตรทศเทพจึงบรรลุสภาวะอันสมควรแก่ชื่อนั้น
Narrator (contextual; specific speaker not identifiable from the single verse alone)
Concept: Merit and rightful designation correspond: being hailed as ‘Śatakratu’ (performer of a hundred sacrifices) aligns with attaining a state worthy of that epithet.
Application: Seek substance over titles: let praise follow genuine virtue and service; cultivate consistent dharmic acts that naturally ‘fit’ one’s reputation.
Primary Rasa: adbhuta
Secondary Rasa: vira
Type: celestial_realm
Visual Art Cues: {"scene_description":"Foremost brāhmaṇas stand in a semicircle, palms joined, formally addressing Indra with the title ‘Śatakratu’ as if sealing a ritual verdict. Indra’s form subtly transforms—his aura intensifies and his throne becomes more resplendent—signifying the attainment of a state commensurate with sacrificial excellence.","primary_figures":["Indra (Tridaśeśvara)","foremost brāhmaṇas (dvijottamāḥ)","celestial attendants"],"setting":"Deva-sabhā with jeweled throne, ritual emblems (yajña-kuṇḍa motifs), and a sky-like canopy.","lighting_mood":"divine radiance","color_palette":["electric blue","molten gold","cloud white","ruby red","smoky violet"],"tanjore_prompt":"Tanjore painting style: Indra enthroned with exaggerated gold leaf halo and crown, brāhmaṇas in pristine whites offering salutations; embossed gold on throne, pillars, and ornaments; rich reds/greens in textiles; gem-studded detailing and symmetrical temple-arch framing the deva court.","pahari_prompt":"Pahari miniature style: elegant court scene with refined faces; brāhmaṇas in a gentle arc, Indra slightly elevated; subtle gradations in sky and architecture; cool blues with warm gold accents, delicate jewelry rendering, lyrical composition.","kerala_mural_prompt":"Kerala mural style: iconic Indra with bold outlines and stylized eyes, brāhmaṇas in rhythmic repetition; flat pigments, ornamental borders, temple-wall symmetry; dominant yellows/reds/greens with blue highlights for Indra.","pichwai_prompt":"Pichwai cloth painting style: central medallion of Indra as Śatakratu, surrounded by floral borders and lotus motifs; brāhmaṇas placed symmetrically; deep blue background with gold linework, ornate textile patterns, devotional decorative density."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"serene","sound_elements":["soft courtly drone","light bell chimes","distant conch","measured silence at cadence"]}
Sandhi Resolution Notes: शतक्रतुरिति = शतक्रतुः + इति; सर्वैरेव = सर्वैः + एव; तेनावस्थाम् = तेन + अवस्थाम्; तत्सदृशीम् = तत् + सदृशीम्; प्राप्तवांस्त्रिदशेश्वरः = प्राप्तवान् + त्रिदशेश्वरः
FAQs
“Śatakratu” is a well-known epithet of Indra, meaning “the performer (kratu) of a hundred (śata) sacrifices,” highlighting his association with Vedic yajñas.
It suggests that through the honor/recognition connected with the title “Śatakratu” (and the sacrificial merit it signifies), Indra obtained a status or condition corresponding to that exalted designation.
It underscores the Purāṇic theme that rightful honor, earned merit, and the affirmation of the wise (dvijottamas) are linked with attaining an appropriate spiritual or worldly station.