Shloka 94
Brahmā’s Puṣkara Sacrifice: Ṛtvij System, Sāvitrī’s Reconciliation, Tīrtha-Catalogue, Śrāddha & Initiation Rites, and Vrata Fruits
नाकालफलिता वृक्षा नोत्पातभयमण्वपि । एतच्छ्रुत्वा ततो विष्णुर्ब्रह्माणं स्तोतुमुद्यतः
nākālaphalitā vṛkṣā notpātabhayamaṇvapi | etacchrutvā tato viṣṇurbrahmāṇaṃ stotumudyataḥ
หมู่ไม้หาได้ออกผลนอกฤดูไม่ และไม่มีความหวาดกลัวต่ออุบัติภัยแม้เพียงน้อย ครั้นได้สดับดังนี้ พระวิษณุจึงมุ่งหมายจะสรรเสริญพระพรหม
Narrator (contextual voice of the Purāṇic narration); action attributed to Viṣṇu
Concept: Harmony with kāla (right time/season) and freedom from utpāta arise when the divine order is honored; gratitude naturally turns into praise (stuti).
Application: Notice and respect rhythms—time, season, body cycles; respond to blessings with gratitude and praise rather than complacency.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"An orchard and forest edge show trees heavy with ripe fruit only in their proper season, while other trees rest in quiet dormancy—nature obeying time. Above, the sky is clear and untroubled by ominous signs; in the foreground, Viṣṇu turns with composed reverence, preparing to offer praise to Brahmā.","primary_figures":["Viṣṇu","Brahmā (implied as the recipient of praise)","seasonal trees"],"setting":"forest-orchard margin near a calm hermitage-like clearing; a subtle cosmic backdrop hinting at creation-order.","lighting_mood":"divine radiance","color_palette":["emerald green","ripe mango yellow","clear cerulean","soft gold","earth brown"],"tanjore_prompt":"Tanjore painting style: Viṣṇu in regal yet humble posture beginning a stotra, framed by seasonally appropriate fruiting trees; gold-leaf highlights on Viṣṇu’s ornaments and halo, rich reds/greens, ornate borders, and a faint lotus-throne motif indicating Brahmā as the stuti’s destination.","pahari_prompt":"Pahari miniature style: gentle woodland with precise seasonal cues—some trees fruiting, others bare; Viṣṇu rendered with refined features and delicate jewelry, turning toward a distant lotus-seat silhouette of Brahmā; cool, lyrical landscape and soft atmospheric perspective.","kerala_mural_prompt":"Kerala mural style: stylized trees and clear sky in bold outlines; Viṣṇu with characteristic large eyes and elaborate crown, poised to chant; warm red/yellow/green pigments, temple-wall composition emphasizing auspicious order and absence of omens.","pichwai_prompt":"Pichwai cloth painting style: decorative seasonal grove with lotus and floral borders; Viṣṇu centered, hands in añjali or poised for stotra; intricate motifs of orderly nature, deep blue garments with gold accents, symmetrical framing reminiscent of devotional textile art."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["rustling leaves","gentle conch in the distance","soft mridanga pulse","birds","silence between phrases"]}
Sandhi Resolution Notes: नाकालफलिताः = न + अकालफलिताः; नोत्पातभयम् = न + उत्पातभयम्; भयमण्वपि = भयम् + अणु + अपि; एतच्छ्रुत्वा = एतत् + श्रुत्वा; विष्णुर्ब्रह्माणम् = विष्णुः + ब्रह्माणम्; स्तोतुमुद्यतः = स्तोतुम् + उद्यतः.
FAQs
It signals a state of ṛta (cosmic order): nature functions harmoniously, without irregularity or imbalance, indicating an auspicious and well-governed world-condition.
It implies stability and auspiciousness—no ominous portents, disasters, or social-natural disturbances—often used in Purāṇas to describe an ideal or divinely protected period.
The verse presents a transition: upon hearing of this orderly, auspicious condition, Viṣṇu turns toward honoring Brahmā, reflecting Purāṇic etiquette of divine praise and recognition within the creation narrative.