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Shloka 10

The Aśūnyaśayanā Vow (Unempty Bed) and the Aṅgāraka Caturthī Observance

घंटा भवेदशक्तस्य सर्ववाद्यमयो यतः । एवं संपूज्य गोविंदमश्नीयात्तैलवर्जितम्

ghaṃṭā bhavedaśaktasya sarvavādyamayo yataḥ | evaṃ saṃpūjya goviṃdamaśnīyāttailavarjitam

ผู้ใดไม่อาจถวายเครื่องดนตรีนานาชนิดได้ พึงใช้เพียงระฆังก็พอ เพราะระฆังรวมผลแห่งเครื่องดนตรีทั้งปวงไว้แล้ว ครั้นบูชาโควินทะโดยถูกพิธีแล้ว พึงฉันอาหารที่ปราศจากน้ำมัน

घण्टाa bell
घण्टा:
कर्ता (Karta/subject)
TypeNoun
Rootघण्टा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; Nominative singular
भवेत्should be/becomes
भवेत्:
क्रिया (Verb/predicate)
TypeVerb
Rootभू (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), एकवचन; Parasmaipada
अशक्तस्यof the incapable person
अशक्तस्य:
सम्बन्ध (Genitive relation)
TypeNoun
Rootअशक्त (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/षष्ठी), एकवचन; Genitive singular
सर्व-वाद्य-मयःconsisting of all instruments (i.e., serving as all music)
सर्व-वाद्य-मयः:
विधेय-विशेषण (predicate adjective)
TypeAdjective
Rootसर्व (प्रातिपदिक) + वाद्य (प्रातिपदिक) + मय (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; Nominative singular; तत्पुरुष 'वाद्यैः मयः' with उपपद 'सर्व' qualifying; agrees with (घण्टा) by sense (predicate adjective)
यतःbecause
यतः:
हेतु (cause marker)
TypeIndeclinable
Rootयतः (अव्यय)
Formहेतुवाचक-अव्यय (because/for)
एवम्thus
एवम्:
क्रियाविशेषण (adverbial)
TypeIndeclinable
Rootएवम् (अव्यय)
Formप्रकारवाचक-अव्यय/adverb of manner
सम्पूज्यhaving duly worshipped
सम्पूज्य:
पूर्वकाल (absolutive; prior action)
TypeIndeclinable
Rootसम्-पूज् (धातु) + ल्यप् (अव्यय-कृदन्त)
Formक्त्वान्त/ल्यपन्त अव्यय (gerund), 'having worshipped well'
गोविन्दम्Govinda
गोविन्दम्:
कर्म (Karma/object)
TypeNoun
Rootगोविन्द (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन; Accusative singular
अश्नीयात्should eat
अश्नीयात्:
क्रिया (Verb/predicate)
TypeVerb
Rootअश् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), एकवचन; Parasmaipada
तैल-वर्जितम्devoid of oil
तैल-वर्जितम्:
विशेषण (Adjectival modifier of कर्म)
TypeAdjective
Rootतैल (प्रातिपदिक) + वर्जित (कृदन्त/प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन; Accusative singular; उपपद-तत्पुरुष 'तैलं वर्जितम्' qualifying (food) implied as object of अश्नीयात्

Unspecified in the provided excerpt (context needed from surrounding verses to confirm the dialogue frame).

Concept: Sincere devotion with whatever one can offer is accepted; after worship, one should maintain sāttvika restraint (oil-free food) as part of purity and vrata-discipline.

Application: If resources are limited, offer a simple bell/one sincere act (a lamp, a flower, a mantra) and keep the day’s food simple and non-indulgent to preserve devotional clarity.

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A modest Vaiṣṇava shrine with Govinda’s icon on a small altar; a devotee with humble attire rings a single bell, its sound visualized as concentric golden ripples filling the sanctum. After pūjā, a simple oil-free meal is set aside on a leaf-plate, emphasizing restraint and purity.","primary_figures":["Govinda (Viṣṇu)","a humble devotee (gṛhastha or brahmacārin)"],"setting":"Small temple alcove or home shrine with tulasi pot nearby, conch and lamp, minimal offerings.","lighting_mood":"temple lamp-lit","color_palette":["gold leaf","deep indigo","lotus pink","sandalwood beige","emerald green"],"tanjore_prompt":"Tanjore painting style: Govinda standing on a small pedestal with śaṅkha-cakra-gadā-padma, thick gold-leaf halo and arch, devotee at the side ringing a single bell; oil lamp flames rendered with bright vermilion and gold; gem-studded ornaments, rich reds and greens, traditional South Indian iconography, ornate prabhāmaṇḍala and floral borders.","pahari_prompt":"Pahari miniature style: intimate home-shrine scene with delicate linework; Govinda’s image framed by a simple alcove, devotee ringing a bell; soft dawn-like glow, cool blues and greens, lyrical naturalism, refined faces, small tulasi plant and brass lamp, minimalistic yet poetic composition.","kerala_mural_prompt":"Kerala mural style: Govinda with bold black outlines and large expressive eyes, lamp-lit sanctum, devotee holding a bell; natural pigment palette of red, yellow, green; stylized lotus motifs and temple wall aesthetic, rhythmic sound suggested by repeating curved lines.","pichwai_prompt":"Pichwai cloth painting style: Govinda-centered shrine with lotus motifs and intricate floral borders; bell-ringing devotee, deep blue background with gold highlights; peacocks and stylized vines framing the scene, devotional domestic worship atmosphere."}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["temple bells","soft conch shell","lamp crackle","silence between phrases"]}

Sandhi Resolution Notes: भवेदशक्तस्य = भवेत् + अशक्तस्य; गोविंदमश्नीयात् = गोविन्दम् + अश्नीयात्; अश्नीयात्तैलवर्जितम् = अश्नीयात् + तैलवर्जितम्.

G
Govinda

FAQs

It teaches accessibility in worship: if one lacks resources for elaborate musical offerings, the bell is accepted as representing the devotional purpose and auspicious sound of all instruments.

It prioritizes sincere worship of Govinda over ritual opulence, indicating that devotion and proper intent can substitute for costly external arrangements.

It recommends restraint and purity: after honoring Govinda, one should eat simple, oil-free food, reflecting discipline (niyama) and a sattvic approach aligned with worship.