Shloka 12
Vrata–Dāna Compendium at Puṣkara: Puṣpavāhana’s Account and the Ṣaṣṭhī-vrata Purification Rite
भार्या मयाल्पतपसा परितोषितेन दत्तं ममांबुजगृहं च मुनींद्र धात्रा । यस्मिन्प्रविष्टमपि कोटिशतं नृपाणां सामात्यकुंजररथौघजनावृतानां
bhāryā mayālpatapasā paritoṣitena dattaṃ mamāṃbujagṛhaṃ ca munīṃdra dhātrā | yasminpraviṣṭamapi koṭiśataṃ nṛpāṇāṃ sāmātyakuṃjararathaughajanāvṛtānāṃ
ข้าแต่มุนีผู้เป็นใหญ่ พระธาตา (ผู้สร้าง) ทรงพอพระทัยแม้ตบะของข้าจะน้อย จึงประทานภรรยาและเรือนดุจดอกบัวนี้แก่ข้า ในเรือนนี้ แม้กษัตริย์ร้อยโกฏิ—พร้อมเสนาบดี หมู่ช้างและรถศึก และมหาชนเนืองแน่น—ก็ยังสามารถเข้าไปได้
Unspecified (a narrator/speaker addressing a sage, likely within the Pulastya–Bhīṣma dialogue frame typical of the Padma Purāṇa)
Concept: Even slight austerity, when sincere and properly directed, can draw divine satisfaction and extraordinary boons; divine order can expand space and capacity beyond ordinary limits.
Application: Do not despise ‘small’ disciplines—consistent, sincere practice can open unexpected capacities (inner ‘space’ for responsibility, service, and generosity).
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: city
Visual Art Cues: {"scene_description":"A lotus-shaped palace rises like a blossoming padma—petal-like terraces and arched chambers unfolding outward in impossible scale. Streams of kings with elephants, chariots, ministers, and crowds flow into its gates, yet the dwelling never feels crowded, as if space itself is divinely elastic.","primary_figures":["Brahmā (Dhātṛ) as boon-giver (subtle presence)","Recipient king/householder","Procession of kings","Ministers","Elephants and chariots"],"setting":"A surreal lotus-palace complex with petal architecture, broad gateways, and layered courtyards that expand inward like a mandala.","lighting_mood":"divine radiance","color_palette":["lotus pink","radiant gold","turquoise","milk white","royal purple"],"tanjore_prompt":"Tanjore painting style: monumental lotus-palace with petal tiers; Brahmā depicted above or to the side bestowing a boon; processions of crowned kings, elephants with gold caparisons, and chariots entering; heavy gold leaf on palace edges and ornaments, rich reds/greens, gem-like detailing, symmetrical sacred geometry.","pahari_prompt":"Pahari miniature style: elegant lotus architecture rendered with delicate shading; long winding procession of kings and elephants; airy perspective showing the palace expanding inward; cool blues and pinks, refined faces, lyrical clouds, fine floral border motifs.","kerala_mural_prompt":"Kerala mural style: stylized lotus-palace as a bold icon; elephants and chariots in rhythmic repetition; Brahmā with characteristic mural eyes and crown; flat pigments—reds, yellows, greens—strong outlines, temple-wall grandeur.","pichwai_prompt":"Pichwai cloth painting style: lotus-palace as central mandala; repeated motifs of elephants and chariots forming a circular procession; deep blue background with gold highlights; lotus borders, peacocks at corners, subtle conch-disc patterns woven into textiles to hint Vaishnava cosmology."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["elephant bells","chariot wheels","conch shell","a sustained drone suggesting vast space"]}
Sandhi Resolution Notes: mayā + alpa-tapasā → mayālpatapasā; mama + ambuja-gṛham → mamāṃbujagṛham; yasmin + praviṣṭam + api → yasminpraviṣṭamapi; sa + āmātya → sāmātya; ratha + ogha → rathaugha; jana + āvṛtānām → janāvṛtānām.
FAQs
“Dhātṛ” is an epithet of the Creator, commonly identified with Brahmā, emphasizing his role as the establisher and sustainer of cosmic order.
It highlights divine grace: even limited austerity, when it genuinely pleases the deity, can yield vast results—wife (householder life) and an extraordinary abode.
Merit is not only a matter of quantity of effort; sincerity and divine favor are central themes—boons may exceed human expectations when actions align with dharma and devotion.